the middle of his study and looked at the door in blank horror. His wife, who had been listening from the next room, came in, sat on the edge of the divan and again burst into tears. “He cheats,” she kept repeating, “just as you cheat. I’m surrounded by cheats.” He merely shrugged his shoulders and thought how sad life was, how difficult to do one’s duty, not to meet anymore, not to telephone, not to go where he was irresistibly drawn … and now this trouble with his son … this oddity, this stubbornness … A sad state of affairs, a very sad state.…
4
In Grandfather’s former study, which even on the hottest days was the dampest room in their country house no matter how much they opened the windows that looked straight out on grim dark fir trees, whose foliage was so thick and intricate that it was impossible to say where one tree ended and another began—in this uninhabited room where a bronze boy with violin stood on the bare desk—there was an unlocked bookcase containing the thick volumes of an extinct illustrated magazine. Luzhin would swiftly leaf through them until he reached the page where between a poem by Korinfski, crowned with a harp-shaped vignette, and the miscellany section containing information about shifting swamps, American eccentrics and the length of the human intestine, there was the woodcut of a chessboard. Not a single picture could arrest Luzhin’s hand as it leafed through the volumes—neither the celebrated Niagara Falls nor starving Indian children (potbellied little skeletons) nor an attempted assassination of the King of Spain. The life of the world passed by with a hasty rustle, and suddenly stopped—the treasured diagram, problems, openings, entire games.
At the beginning of the summer holidays he had sorely missed his aunt and the old gentleman with the bunch of flowers—especially that fragrant old man smelling at times of violets and at times of lilies of the valley, depending upon what flowers he had brought to Luzhin’s aunt. Usually he would arrive just right—a few minutes after Luzhin’s aunt had glanced at her watch and left the house. “Never mind, let’s wait a while,” the old man would say, removing the damp paper from his bouquet, and Luzhin would draw up an armchair for him to the table where the chessmen had already been set out. The appearance of the old gentleman with the flowers had provided him with a way out of a rather awkward situation. After three or four truancies from school it became apparent that his aunt had really no aptitude for chess. As the game proceeded, her pieces would conglomerate in an unseemly jumble, out of which there would suddenly dash an exposed helpless King. But the old gentleman played divinely. The first time his aunt, pulling on her gloves, had said rapidly, “Unfortunately I must leave but you stay on and play chess with my nephew, thank you for the wonderful lilies of the valley,” the first time the old man had sat down and sighed: “It’s a long time since I touched … now, young man—left or right?”—this first time when after a few moves Luzhin’s ears were burning and there was nowhere to advance, it seemed to Luzhin he was playing a completely different game from the one his aunt had taught him. The board was bathed in fragrance. The old man called the Officer a Bishop and the Tower, a Rook, and whenever he made a move that was fatal for his opponent he would immediately take it back, and as if disclosing the mechanism of an expensive instrument he would show the way hisOpponent should have played in order to avert disaster. He won the first fifteen games without the slightest effort, not pondering his moves for a moment, but during the sixteenth game he suddenly began to think and won with difficulty, while on the last day, the day he drove up with a whole bush of lilac for which no place could be found, and the boy’s aunt darted about on tiptoe in her bedroom and then, presumably,