perhaps he regards this vast library, with its impossible mythologies and ghastly depictions of events that may never happen, as part of that bloody legacy he is keen to put behind him. He is, after all, the last of his line. I suspect he is allowing me to catalogue these books with a view to placing the contents up for auction. The problem, though, is that it is almost impossible for me to judge how I should place a price on such objects. Regardless of what is contained within, the bindings themselves are frequently studded with precious and semi-precious jewels, bound in gold-leaf and green leather, and in one case what suspiciously appears to be human skin. There is no precedent to them, and therefore there can be no accurate estimate of value.
How, then, am I to proceed?
~ * ~
From The Journal of Jonathan Harker, 15 July —.
Regarding the library: I have devised a system that allows me to create a table of approximate values, and that for now must suffice. First, I examine the binding of the book, noting the use of valuable ornamentation and pigments. Then I make note of the author and the subject, gauging their popularity and stature; how many copies have been printed (if indicated) and where; how many editions; the age of the work and its length; and finally, content, whether scandalous and likely to cause offence, whether of general interest, usefulness and the like. To this end I find myself making odd decisions, putting a history of Romanian road-mapping before the Life and Times of Vladimir the Terrible because the former may be of more utility in charting this neglected territory. Thus the banal triumphs over the lurid, the ordinary over the outrageous, the obvious over the obscure. A fanciful mind might imagine that I was somehow robbing the library of its power by reclassifying these tomes in such a manner, that by quantifying them I am reducing the spell they cast. Fancies grow within these walls. The castle is conducive to them.
In my tenth week I started upon the high barred shelves, and what I find there surprises, delights and occasionally revolts me. Little histories, human fables set in years yet to be, that reveal how little our basest nature changes with the passing decades. These books interest me the most.
I had not intended to begin reading any of the volumes, you understand, for the simple reason that it would slow my rate of progress to a crawl, and there are still so many shelves to document. Many books require handling with the utmost care, for their condition is so delicate that their gossamer pages crumble in the heat of a human hand. However, I now permit myself to read in the evenings, in order that I might put from my mind the worsening weather and my poor, pining Mina.
The light in the library is good, there being a proliferation of candles lit for me, and the great brocaded armchair I had brought down from my bedroom is pulled as close to the fire as I dare, deep and comfortable. Klove leaves his master’s guest a nightly brandy, setting down a crystal bowl before me in the white kid gloves he always wears for duties in this room. Outside I hear the wind loping around the battlements like a wounded wolf, and in the distant hills I hear some of those very creatures lifting their heads to the sky. The fire shifts, popping and crackling. I open the book I have chosen for the evening and begin to read.
~ * ~
From The Journal of Jonathan Harker, 30 August —.
I have the strangest feeling that I am not alone.
Oh, I know there are servants, four, I think; a raw-looking woman who cooks and cleans, her husband the groom, an addle-pate under-servant born without wits who is only fit for washing and sweeping (he might be the son of the cook; there is a resemblance), and Klove, an unsmiling German butler whom I take to be the Count’s manservant. I mean to say that there is someone else here. I sense his presence late at night, when the fire has