seem as though they were personally disloyal to him. He was a specialist in heavy industrial management.
Berezovo, who was younger than Gomel, represented the new Soviet executive and resembled a fire hydrant in a run-down neighborhood: short, squat, stained, and seamed, his head seeming to come to a point and his fibrous hair parted in several impossible places, like a coconut’s. Berezovo was all brass; a very important person. Gomel was important, no doubt about that. He had dachi in both Moscow and the Crimea, but there were only two men higher than Berezovo in the entire, exhaustingly delicate business of Soviet security.
Each man had successfully concealed from the other that he was present at the seminar as the personal and confidential representative of Josef Stalin, proprietor.
Yen Lo’s lectures began at 4 P.M. on July 11. General Kostroma was not invited to attend. The group strolled in pairs, not unlike dons moving across a campus, toward the lovely copse which framed that little red schoolhouse wherein Yen Lo had inserted so many new values and perspectives into the minds of the eleven Americans. It was a glorious summer afternoon: not too hot, not too cool. The excessive humidity of the morning had disappeared. The food had been excellent.
The single extraordinary sight in the informal but stately procession led by Yen Lo and Pa Cha, the senior Chinese statesman present, was that of Chunjin, the Korean interpreter hitherto attached to the U.S. Army as orderly and guide for Captain Marco, walking at Berezovo’s side, chewing on and smoking a large cigar which was held in his small teeth at a jaunty angle. Had any member of the American patrol still retained any semblance of normal perspective he would have been startled at seeing Chunjin there, for when natives were captured by a military party of either side their throats were always cut.
Yen Lo had telephoned ahead from the mess so that when the commission entered the auditorium of the Research Pavilion the American patrol had been seated in a long line across the raised stage, behind a centered lectern. They watched the Sino-Soviet group enter with expressions of amused tolerance and boredom. Yen Lo moved directly to the platform, rummaging in his attaché case while the others found seats, by echelon, in upright wooden chairs.
Large, repeated, seven-color lithographs of Stalin and Mao were interspersed on three walls between muscularly typographed yellow-on-black posters that read: LET US STOP IMITATING!!! as a headline, and as text: Piracy and imitations of designs hamper the development and expansion of export trade. It is regrettable that there are quite a few cases of piracy in the People’s Republic. Piracy injures the Chinese people’s international prestige, causes the boycott of Chinese goods, and makes Chinese designers lose interest in making creative efforts. The smell of new paint and shellac and the delicious clean odor of wood shavings floated everywhere in the air of the room, offering the deep, deep luxury of absolute simplicity.
On stage, Ben Marco sat on the end of the line at stage right, in the Mr. Bones position. Sergeant Shaw sat on the other end of the line, stage left. Between them, left to right, were Hiken, Gosfield, Little, Silvers, Mavole, Melvin, Freeman, Lembeck. Mavole was at stage center. All of the men were alert and serene.
The audience was divided, physically and by prejudice. Gomel did not approve of Yen Lo or his work. Berezovo happened to see in Yen Lo’s methods possibilities that would hasten revolutionary causes by fifty years. Five staff members sat behind each of these men who sat on opposite sides of the room, re-creating an impression of two Alphonse Capones (1899–1947) attending the Chicago opera of 1927. The two Chinese representatives sat off to the left, closer to the platform than the others, as bland as two jars of yoghurt. Yen Lo winked at them now and again as he made his address with asides