The Matador's Crown by Alex Archer Read Free Book Online Page B

rich archaeological geography.”
    “Can you run some kind of background check on all of Crockett’s other digs?” she asked. “See if there have been other robberies?”
    “Sure, gladly. In fact, I’ve been looking into Crockett since you brought him up yesterday. I’ve got records for most of his work in the area, but I haven’t been able to come up with anything for the past year. He hasn’t turned in any field reports or catalogs. Hence, the reason I suspect him in dirty dealings. Will you be coming to the museum tomorrow?”
    “That’s my intention. I still have some final notes to make on the coins. Thanks, James. I’ll talk to you soon.”
    When she should have felt relieved to have discussed the details with someone else who could relate, Annja was now uncertain if James Harlow was the man to share that information. He hadn’t sounded gung ho about tracking the looters. Maybe he wasn’t as on board with the idea of refusing artifacts without provenance as she had assumed?
    Or maybe it really was a rivalry between the two men, and he was more focused on slandering Crockett’s name than the real issue.
    Clicking over to the Photos file on her laptop, Annja opened the six shots of the bronze bull she’d taken on-site and studied the few details in the Moorish carvings around the neck.
    Online, she turned to archaeology.net and uploaded the photos of the Baal statue. She was calling it a Baal statue, but really, it could have been made to represent anything, not necessarily the mythic Canaanite god of fertility. She usually got a few replies to her queries, and some often led her to the truth about the particular item she had posted.
    “Let’s hope the bull can be traced.”

6

    Much as she was ambivalent about the corrida—she was neither for nor against bullfighting—Annja had to admit the atmosphere of the bullring satisfied her love of competitive sporting events. She wasn’t convinced, though, that the corrida was competitive, unless that competition was between the matadors.
    Sea scented the air, combined with sweat and women’s perfume. Cádiz didn’t have a stadium for bullfighting so they had driven back to the mainland to Jerez de la Frontera, where the summer festival featured two weeks of fights.
    The audience was colorful, peopled with stalwart aficionados sporting cigars, straw hats and beers who had probably never missed a fight in decades, alongside tourists toting seat cushions emblazoned with the stadium’s logo. And local women wearing the flamenco-style dress, which ruffled in many layers from the knee down to the ankle. Odd. They must be dressing for the tourists.
    Flamenco guitar music played over the loudspeaker, and down in the barrera —the outer row of seats that circled the ring—an impromptu set of dancers stomped out a beat, arms twisting above their heads. The people in the grandstands around them clapped compas and cheered them on with shouts of “Olé!”
    This was a medium-size bullring, probably seating around ten thousand. Garin led her to what he’d said was his usual seat on the shady side of the ring. The most expensive and exclusive seats were in the shade, and in the contrabarrera, which was the second circle of seats around the ring. Close to the action, it was the place to sit for the best view of the matadors, who stood behind the barriers while eyeing up their competition, the bull. Just before the contrabarrera was the circular barrera, where Annja believed Hemingway used to be photographed sitting with cigar in hand.
    The first matador had left the ring minutes earlier, and as Annja had learned from the advertisement outside the stadium, there were only two fighters today. Normally there were three, sometimes as many as six. Manuel Bravo would walk onto the grounds soon. Right now they were dragging out the dead bull from the previous fight, harnessed to two mules, accompanied by the orchestra, which played a lively paso doble. A cleanup crew