The Maze of the Enchanter

The Maze of the Enchanter by Clark Ashton Smith Read Free Book Online Page B

Book: The Maze of the Enchanter by Clark Ashton Smith Read Free Book Online
Authors: Clark Ashton Smith
Tags: Fiction, Fantasy, Short Stories
the tedious commercial art which formed his one reliable source of livelihood. This uncongenial exigency had involved the ruthless smothering of higher ambitions. He had wanted to paint imaginative pictures, had dreamt of fixing in opulent color a fantasy such as Beardsley had caught in ornate line. But such pictures, it seemed, were in small request.
    The happening on Spanish Mountain had stirred his imagination profoundly, though he was still doubtful of its actuality. He gave himself to endless speculation, and often he cursed the untimely interruption that had caused the visitants to vanish.
    It seemed to him that the beings (if they were not mere hallucinatory images) had appeared in answer to his own vague and undirected longings for the supermundane. Like envoys from a foreign universe, they had sought him out, had favored him with their invitation. Their attempt at verbal communication argued a knowledge of terrene language; and it was plain that they could come and go at will, no doubt by means of some occult mechanism.
    What did they want with him? he wondered. What would have been his fate if he had accompanied them?
    His pictorial bent for the fantastic was deeply stimulated; and more than once, after his daily stint of advertising-art was done, he tried to paint the visitants from memory. This he found peculiarly difficult: the images with which he sought to deal were without analogy; and their very hues and proportions baffled his recollection. It was as if an alien spectrum, a trans-Euclidean geometry, had somehow been involved.
    One eve, he stood glowering with dissatisfaction before his easel. The picture, he thought, was a silly smudge of over-painted colors which utterly failed to convey the true outlandishness of its theme.
    There was no sound or other warning, nothing that could consciously attract his attention. But turning abruptly, he saw behind him the two beings he had met on Spanish Mountain. They swayed slowly in the lamplight between the cluttered table and a somewhat shabby divan, trailing their tasseled members on an old rug whose fading floral designs were splashed with fresh paint.
    With the loaded brush in his fingers, Sarkis could only stand and stare, held in the same hypnotic thrall that had swept him beyond fear or wonder on the mountain. Once more he beheld the gradual, somnolent waving of the arabesque feelers; again he heard the dreamy monotonous hum that resolved itself into long-drawn vocables, inviting him to go with the visitants. Again, on the moonfish disks, were depicted scenes that would have been the despair of a futurist.
    Almost without emotion or thought of any kind, Sarkis gave an audible consent. He hardly knew that he had spoken.
    Slowly, as it had begun, the waving motion of the feelers ceased. The consonant humming died, the pictures faded. Then, as before, there came the coppery flash of air-suspended machinery. Broad, oblique rods and concave meshes hovered between ceiling and floor, descended about the alien entities—and about Sarkis himself. Dimly, between the glowing bars, he descried the familiar furnishings of his room.
    An instant more, and the room vanished like a film of shadow wiped away in light. There was no sense of movement or of transit; but it seemed that a foreign sky had opened above, pouring down a deluge of crimson. Redness streamed upon him, it filled his eyes with a fury as of boiling blood, it dripped over him in sullen or burning cascades.
    By degrees, he began to distinguish outlines and masses. The bars and meshes were still around him, his strange companions were still beside him. They were weirdly altered now, and they swam in the crimson flood like the goblin fish of some infernal sea. Involuntarily, Sarkis shrank away from them: they were terrifying, monstrous.
    He saw now that he was standing on a curiously tesselated floor that curved upward on all sides like the bottom of a huge saucer. High, outward-sloping walls, windowless and

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