dressed improbably in a fine linen shirt and buckskin trousers, loading a cart with thick coils of hemp rope.
âHe used to have fancier clothes when he arrived in New York, Sean told me,â recounted Abigail. âThe clothes of a gentleman. But the bottle green coat didnât hold up well tramping through the woods.â
âThe fine muslin dress from my courting days fared much the same,â Lucy said.
âHe has a letter of introduction, does Sean OâNeil,â Abigail continued. âHeâs a gardener by trade, but not much call for that here, where the big woods are still so close. A good worker, should you ever need someone to tote and fetch. Most days, youcan find âim here, somewhere in the market. I hope he settles,â she said, and they both gazed in his direction.
Lucy thanked the herb woman and put the bundle of sticks in her market basket. She was saying good-bye when a man hurried past carrying two withy cages, woven from willow branches. One cage held redbirds. The other, glittering green parroquets.
âI canât abide a free thing caged,â the herb woman said with a sigh.
Lucyâs own heart sank at the sight. And then she knew.
She would have to let him go. She would help him pack his gun and tackle, his violin and flute, his much-loved copy of La Fontaineâs
Fables
. Sheets of art paper, two feet wide and three feet long, rolled into a long tin case. His watercolors, brushes, chalks, and pencils. His wire for mounting specimens. His portfolios. The ledger with the marbled blue endpapers he had just bought at W. Pounsford, the bookbinder, three doors north of the Presbyterian church. Paper for letter writing.
John James Audubon would travel down the Ohio, then the Mississippi on a cargo flatboat, drawing birds from here to New Orleans. In seven months, he promised, he would have his collection of American birds.
And they would be together again.
But not here.
âMrs. Newcomb.â Lucy turned and touched her arm. âYou have been very kind to me. In return, my husband could render your likeness before he goes downriver. Heâs very good with sketching and then coloring with chalk pastels. What they call a portrait, but on paper.â
Lucy knew it was an odd offer, and Abigail Newcomb lookedappropriately puzzled. Only the rich had pictures of themselves hanging on a wall.
âIf not of you, maybe your daughter and her baby?â
Abigailâs eyes lit up. âThen I can see them whenever I want. Like they were withme.â
5
Neely
I peered out of Rainbow Cakeâs front window on Saturday morning. The empty sidewalks reflected the bleak day. Where were the brides, their mothers, their friends? Anyone?
Maybe the cold drizzle and overcast skies had kept everyone snug in their beds.
In the empty bakery, I penned the last lines to a short letter to my dad. Although I was of two minds about renewing our relationship, Iâd decided to risk it. Who knew how long heâd stay in Missouri before he moved on again? I had to take the chance while I could.
I wrote in longhand on printer paper:
My problem might seem a little sillyâthe bride who wants a hillbilly wedding and her snobby mother who is hidingsomething. But what really bothers me is that Iâm not getting any kind of a flavor feedback from them. Maybe I just need to be patient.
Did that ever happen to you when it was something important?
Write back when you get the chance, and hope everything is going better for you, Dad.
Claire
I had wanted to sign off
Love, Claire,
but I just couldnât. I folded the letter and put it in the envelope. Maybe Dad would have some advice. Maybe not. Maybe heâd move on and never even get this letter. Dear old Dad.
I wondered if I should include anything else. A photo? A business card? A brochure from the bakery? Yes, the brochure. Just information, not anything too personal. If I enclosed a photo, he might send one