Norton,
Mistress of Udolpho
, pp. 66â70.
43 . See Susan Moller Okin, âPatriarchy and Married Womenâs Property in England: Questions on Some Current Viewsâ,
Eighteenth-Century Studies
, Vol. 17, No. 2 (winter 1983/4), pp. 121â39.
44 . This can be seen from the following comment from Sir William Blackstoneâs
Commentaries on the Laws of England
(1765):
By marriage, the husband and wife are one person in law; that is, the very being or legal existence of the woman is suspended during the marriage, or at least is incorporated and consolidated into that of the husband: under whose wing, protection and
cover
, she performs everything.
Quoted by E. J. Clery in her essay âThe Politics of the Gothic Heroine in the 1790sâ in Philip Martin and Robin Jarvis, eds.,
Reviewing Romanticism
(London: Macmillan, 1992),
p. 78. As Clery goes on to comment, âthe doctrine of coverture was one of those ancient feudal relics which were readily integrated within the new structure of capitalismâ.
45 . See Jacqueline Howard,
Reading Gothic Fiction: A Bakhtinian Approach
(Oxford: Clarendon Press, 1994), pp. 64, 106â144.
46 . English version by J. A. Underwood (London and Boston: Marion Boyars, 1982). In some editions, the novel goes under the title of
The Enchanted
.
FURTHER READING
BIBLIOGRAPHY
Frank, Frederick S.,
Gothic Fiction: A Master List of Twentieth-Century Criticism and Research
(London: Meckler Corporation, 1988)
Rogers, Deborah D.,
Ann Radcliffe: A Bio-Bibliography
(Westport, Conn., and London: Greenwood Press, 1996)
The sickly taper
, a website dedicated to Gothic bibliography, run by Fred Frank, Professor Emeritus of English, Allegheny College, Meadville, Pennsylvania: http://www.toolcity.net/~ffrank/Index.html
BIOGRAPHY
Norton, Rictor,
Mistress of Udolpho: The Life of Ann Radcliffe
(London and New York: Leicester University Press, 1999)
Talfourd, Thomas Noon, âMemoir of the Life and Writings of Mrs Radcliffeâ in
Gaston de Blondeville, or the Court of Henry III Keeping Festival in Ardenne, a Romance
(reprint edn New York: Arno Press, 1972), Vol. I, pp. 2â132
CRITICAL WORKS
Baldick, Chris, âIntroductionâ in Chris Baldick, ed.,
The Oxford Book of Gothic Tales
(Oxford and New York: Oxford University Press, 1992), pp. xiâxxiii
Birkhead, Edith,
The Tale of Terror
(London: Constable, 1921)
Butler, Marilyn, âThe Woman at the Window: Ann Radcliffe in the Novels of Mary Wollstonecraft and Jane Austenâ in Janet Todd, ed.,
Gender and Literary Voice
(New York and London: Holmes & Meier Publishers Inc., 1980), pp. 128â48
Castle, Terry, âThe Spectralization of the Other in
The Mysteries of Udolpho
â in Felicity Nussbaum and Laura Brown, eds.,
The New Eighteenth Century: Theory, Politics, English Literature
(New York and London: Methuen, 1987) pp. 231â53
Clery, E. J., âThe Politics of the Gothic Heroine in the 1790sâ in Philip Martinand Robin Jarvis, eds.,
Reviewing Romanticism
(London: Macmillan, 1992)
ââ,
The Rise of Supernatural Fiction, 1762â1800
(Cambridge and New York: Cambridge University Press, 1995)
DeLamotte, Eugenia C.,
The Perils of the Night: A Feminist Study of Nineteenth-Century Gothic
(Oxford: Oxford University Press, 1990)
Ellis, Kate F.,
The Contested Castle: Gothic Novels and the Subversion of Domestic Ideology
(Urbana and Chicago: University of Illinois Press, 1989)
Epstein, Lynne, âMrs Radcliffeâs Landscapes: The Influence of Three Landscape Painters on Her Nature Descriptionsâ,
Hartford Studies in Literature
, Vol. 1, No. 2 (1969), pp. 107â20
Fawcett, Mary Laughlin, âUdolphoâs Primal Mysteryâ,
Studies in English Literature
, Vol. 23 (1983), pp. 481â94
Fleenor, Juliann, ed.,
The Female Gothic
(Montreal and London: Eden Press, 1987)
Haggerty, George E., âFact and Fancy in the Gothic Novelâ,
Nineteenth Century Fiction
, Vol.