The Outlaw Album
ropes. I’ve backed the truck near the edge, and Ma swears she can work a clutch and drive just fine, no problem. I tied my ropes to the truck, cinched one around me snug, and led the other two down to the sideways tree. There were shrubs to grab at on the cliff face, untrustworthy roots and clumps of stranded weeds, and I tossed my feet at them to slow my falling. The sideways tree was sturdy and the cow oozed. Flying things had got the eyes, the lips and ears, the soft easy meat anything left dead in the open serves up first. I had to sit astride the cow to get the ropes looped around, the first under the front legs, the next under the back, and thickened death-juices leaked from the cow onto my jeans and shirt. I gave Ma a wave and me and the cow scraped the dusty cliff and flew up together, meat and meat under the sky, hooves whirling, boots whirling, one head down, one head raised, one spinning smell.
    Ma helps me unlash and says, “You’re nuts to go back.”
    “They cleared me for goin’, Ma.”
    Ma drove and the cow slid across the pasture to the grassless place, and I untied it. My clothes stunk past cleaning, and I flung them off, shirt first, then jeans, and went about in my skivvies and started tossing stuff from the trash heap into the burn circle. The pile grew, and grew tall enough for a ten-foot flame to rise from household trash, old plywood, a tangle of blowdown, hedge trimmings, a busted headboard and stained mattress I couldn’t recall. I was near naked in the world and sweating, bending to drop matches, encourage the flames, scorch that stink away. Ma watched me, looking at my tats some, not too impressed by the pictures, I knew, but mostly studying the long ragged divot torn top to bottom on my back and wondering what invention made that wound.
    “She found out how much you’re worth dead.”
    “Where?”
    “She’s been askin’ folks all around.”
    We stood close together fireside, watching the cow burn in the circle as the sun sank. The cow only slightly thinned, but the brain-housing unit was soon laid bare and white atop deep glowing coals. Hooves cracked in the heat. Full dark made fire seem the center of all things. A breeze raised little flames that wiggled in the eye sockets and stuck a long tongue of fire lapping from the mouth. Ma’n me stared silently ’til the tree frogs went quiet and owls came out to fly. We left the cow at peace finally in the embers, started toward the house, walking slowly through the spreading weeds of our garden plot where nothing got planted this year.

Night Stand
     
    P elham came awake one night to find a naked man standing over his bed, growling. There was little light in the bedroom, but he could see one arm of the man from his shoulder to his wrist, a grim tattoo of something burning, a pale suggestion of bared teeth and taut lips. The growling was menacing and confused, with shrill rises, deep ferocity giving way to brief keening trills, a mangle of tones. Jill woke, too, looked at the man, then rolled from bed and fled screaming toward the next room. Pelham reached for the light on the nightstand but his fingers rattled a plate that shouldn’t have been there, and on the plate there lay a knife. The man stood still at the bottom of the bed, noisy and tall, a looming shadow inside the house that Pelham had to stand and fight, do what he could, stall for time and let Jill run, hide somewhere, since she must be what he’s after—why else would he be naked? But the man made no move to chase her, and didn’t lunge or leap onto Pelham like he could’ve, either, didn’t take control and clobber him senseless, but only stood there growling with his arms at his sides, hands held low, and Pelham quick got to him with the blade, planted steel in his chest. A popping sound came from inside the man’s ribs, and Pelham expected to be sliced in return now, maybe shot, but the man missed somehow, so close but he missed, and Pelham whipped in another stab

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