Tags:
United States,
Fiction,
General,
thriller,
Suspense,
Fantasy,
American Mystery & Suspense Fiction,
Horror,
Mystery,
Vampires,
Fiction - Espionage,
Occult,
Virus diseases,
Human Experimentation in Medicine
hit in ’86; they tried to sell the house but couldn’t, and in the end, his father had simply dropped the keys off at the bank. They moved to Michigan, then Ohio, then upstate New York, chasing little bits of work, but his father had never righted himself after that. When he’d died of pancreatic cancer two months before Wolgast graduated from high school—his third in as many years—it was easy to think that Texas had somehow done it. His mother had moved back to Oregon, but now she was gone too.
Everyone was gone.
He’d gotten the first man, Babcock, from Nevada. Others came from Arizona and Louisiana and Kentucky and Wyoming and Florida and Indiana and Delaware. Wolgast didn’t care much for those places, either. But anything was better than Texas.
Wolgast and Doyle had flown into Houston from Denver the night before. They’d stayed the night at a Radisson near the airport (he’d considered a brief side trip into the city, maybe tracking down his old house, but then wondered what in hell he’d want to do a thing like that for), picked up the rental car in the morning, a Chrysler Victory so new it smelled like the ink on a dollar bill, and headed north. The day was clear with a high, blue sky the color of cornflowers; Wolgast drove while Doyle sipped his latte and read the file, a mass of paper resting on his lap.
“Meet Anthony Carter,” Doyle said, and held up the photo. “Subject Number Twelve.”
Wolgast didn’t want to look. He knew just what he’d see: one more slack face, one more pair of eyes that had barely ever learned to read, one more soul that had stared into itself too long. These men were black or white, fat or thin, old or young, but the eyes were always the same: empty, like drains that could suck the whole world down into them. It was easy to sympathize with them in the abstract, but only in the abstract.
“Don’t you want to know what he did?”
Wolgast shrugged. He was in no hurry, but now was as good a time as any.
Doyle slurped his latte and read: “Anthony Lloyd Carter. African American, five foot four, a hundred and twenty pounds.” Doyle looked up. “That explains the nickname. Take a guess.”
Already Wolgast felt tired. “You’ve got me. Little Anthony?”
“You’re showing your age, boss. It’s T-Tone. T for ‘Tiny,’ I’m thinking, though you never know. Mother deceased, no dad in the picture from day one, a series of foster homes care of the county. Bad beginnings all around. A list of priors but mostly petty stuff, panhandling, public nuisance, that kind of thing. So, the story. Our man Anthony cuts this lady’s lawn every week. Her name is Rachel Wood, she lives in River Oaks, two little girls, husband’s some big lawyer. All the charity balls, the benefits, the country clubs. Anthony Carter is her project . Starts cutting her lawn one day when she sees him standing under an overpass with a sign that says, HUNGRY, PLEASE HELP . Words along those lines. Anyway, she takes him home, makes him a sandwich, puts in some calls and finds him a place, some kind of group home she raises money for. Then she calls all her friends in River Oaks and says, Let’s help this guy, what do you need done around the place? All of a sudden she’s a regular Girl Scout, rallying the troops. So the guy starts cutting all their lawns, pruning the hedges, you know, all the things they need around the big houses. This goes on about two years. Everything’s hunky-dory until one day, our man Anthony comes over to cut the lawn, and one of the little girls is home sick from school. She’s five. Mom’s on the phone or doing something, the little girl goes out into the yard, sees Anthony. She knows who he is, she’s seen him plenty of times, but this time something goes wrong. He frightens her. There’s some stuff here about maybe he touched her, but the court psychiatrist is iffy on that. Anyway, the girl starts screaming, Mom comes tearing out of the house, she’s screaming,