which the farmers raise. And so the foreigners read it and laughed at us and despised us. This is your crime.’
“‘But—it is not what I said!’ I cried in horror.
“‘The record is so,’ replied the guard, and went away.
“I could not sleep at all that night. I sat up remembering every word of that composition. I had been very proud of it, and Miss Maitland had praised it greatly and had read it aloud to the class. She said, ‘This is so beautiful a piece that I wish English people could read it to see how young Chinese love their country. Liu En-lan, suppose you send it to the English newspaper for the prize competition.’
“I had felt the blood run all over my body under my skin, until I was warm with pleasure, and I had spent my spare hours for weeks copying the composition with all the corrections. Then I had sent it with a letter to the editor of the English paper. It was given the prize and the editor printed it with a note, saying, ‘It is not often that we receive so honest and thoughtful an analysis of a country as this young Chinese patriot has sent us.’ When I saw these words I was joyful with pride.”
I-wan paused in his reading. Yes, he remembered that essay. From his school also that year they had all written essays for the competition, and Liu En-lan—that had indeed been the name of the one who wrote the best. But nobody had ever heard of him and it was soon forgotten. He himself had not thought of it until this moment.
He began to read again.
“For this I was now in prison. Day followed day in an endless chain of morning and night which were different only in dark and light. I lost count of the days and the nights, so that I did not know how long I had been in prison. I had no friends and no one came to visit me. Miss Maitland tried, but she was told they had sent me home, and she believed then I was safe. She told me afterwards. And there was not even any reason to speak to the guard any more, since all my money was gone.
“I sat, therefore, hour after hour, or I stood, my face against the bars, staring at the bit of sky, and thinking over and over of what I had said in my composition…. I had written it one day in spring, a beautiful day when the winds were warm and flowers were for sale in the markets. The streets were gay and motor cars were flying back and forth, the rickshas swerving out of their way. Time and again I had stopped to watch the quick beauty of a motor car, speeding along the wide street. In the afternoon after school I had walked outside the city and I had stood looking over the miles of green country, my heart full of a strange great feeling I did not understand. It was like the ache of love—not love for a girl, for I knew no girls, but love for my country spread before me, spread so far to the north where my home was, spread here in this new modern city, spread further still to the southern seas I had never seen. And as I stood this great love began to distil itself into words. I wanted to put down all that I felt about my country. The words began to shape like drops of shining water from a glorious mist. I hurried back to my small room and began to write, word by word, what had been my vision.
“It was not easy to do this. I remember I was sweating with the effort to write exactly what I felt and saw. Night came but I did not eat. I lit a candle and wrote on by its small light. All over the city there were bright electric lights and neon signs springing out of the darkness, though I was too poor to rent a room in a house with electric lights. But this made no difference to me. I was proud that there were such lights. If I had not been working I would have been out on the streets, staring at them as I never tired of doing.
“I put the electric lights into my composition, I put the whole city, the strong new city growing out of the sea. I put in motor cars and motor trucks carrying the heavy loads that human beings had once carried. I put in the