A mommy-mobile. You know. Pretty new. Might have been something printed on the driverâs door.â
âWhat? A name? A business?â LaMoia encouraged.
âListen, Iâm not sure about any of this.â
âParked where?â He didnât want to lose her.
âJust down the street there.â She pointed again, though this time hesitantly. âMaybe two cars ahead of where youâre parked. I was just about where you are.â
âBut not in front of the house, the Shotz house,â he clarified.
She grimaced. âPretty damn close. Parking wasnât easy last night. A lot easier this time of day.â
LaMoia took notes. âThe driver?â
âWas the driver the kidnapper?â she blurted out quickly. âI donât know about any of this.â
He removed his hands from her shoulders. âTake your time.â
She turned around and faced him. âMaybe it wasnât last night. Hell, I see a lot of cars, you know?â
âThe driver. You were watching to see who got out,â he reminded.
âA worker bee. I wasnât interested.â
âWorker bee?â
âOveralls. Coveralls. You know? A worker bee. He wasnât there for me. I tuned him out.â
LaMoia asked her. âCan you describe him?â
âI tuned him out,â she repeated, seeming confused whether to answer or not. âI donât know,â she said, searching his face for the right answer. âMaybe that wasnât last night.â A quick retreat. LaMoia had seen it dozens of times, almost always in the suburbs. People tended to be excited at first by the idea of having witnessed a crime; they felt important, listened to, wanted. Then it slowly dawned on them that, like jury duty, police involvement meant a commitment of time and energy.
LaMoia decided to try an end run, to play on her apparent tendency to make a show of herself. âListen, if itâs the publicity youâre worried about: the TV, the papersâtheyâre likely to swarm a possible witnessâthere are precautions we can take. We can keep you off the front page.â He left it hanging there as a carrot.
Her face brightened. Her finger wormed that curl of hair again. âNo, no ⦠it isnât that .â
âYou sounded as if you werenât sure about the minivan.â
âOh, no,â she corrected. âIâm pretty damn sure about that minivan, Detective.â
âAnd the driver?â
âJust a worker bee in overalls.â
âOveralls,â LaMoia repeated, jotting it down. âColor? Description?â
Shaking her head, she confessed, âI donât know. He pulled up over there, and I was thinking housewife until he climbed out. Then I was thinking what did I care because he was a worker bee, and no worker bee is going to pay over two for a home. Not in my experience. One-eightyâs the ceiling in that market and I donât even list that stuff. The only people Iâm interested in at an open house are the ones with that glint in their eyes. You know. Someone shopping? Someone in a buying mood?â She looked at LaMoia. âYou were shopping when I saw you. But it wasnât for a house, am I right? I understand that now. But at the time, I saw that car all buffed out like that, the boots, that hunger in your eyes, and I thought I had a live one.â
âThe minivan? Windows, or a panel truck?â He thought of little Rhonda Shotz in the back of that minivan, and felt sick.
âWindows?â she winced. She wasnât sure. âListen, it was white. Windows? No clue about the windows.â Looking around nervously she said, âTell me about the TV people. Who do we contact about that?â
CHAPTER
Since the birth of her son Hayes, six months earlier, Trish Weinstein had felt out of synch, as if a week or a month had been stolen from her and she had never made up that loss. At twenty-seven