and be born south of the Rio Grande. His remark about the blond, blue-eyed drug runner was my cue, so I dropped the name Güero Dávila, and while Batman Guemes looked at me through his dark glasses very carefully and very quietly, I stuck my neck out by following that up with the name Teresa Mendoza. I'm writing her story, I added, aware that in certain circles and with a certain kind of man, lies always explode under your pillow. And Batman Guemes was so dangerous, I'd been warned, that when he went up into the sierra the wolves lit bonfires to keep him away.
"One shitload of years has passed since then," he said.
I figured him for younger than fifty. His skin was very dark, and he had an inscrutable face with strong norteno features. I later learned that he was not from Sinaloa but from Alamos, Sonora, the homeland of Maria Felix, and that he had started out as a coyote and a burro, using a truck that belonged to him to run undocumented workers, marijuana, and cocaine for the Juarez cartel over the border. He rose in the hierarchy, starting as an operator for the Lord of the Skies and finally becoming the owner of a transport company and a private aviation business that ran contraband between the sierra and the western United States—Nevada and California—until the gringos tightened up the airspace and closed almost all the gaps in their radar system. Now he was living a relatively quiet life off the savings he'd invested in safe businesses and a few other investments, mainly opium villages up in the sierra, on the border with Durango. He had a nice ranch over in El Salado, with four thousand head: Do Brasil, Angus, Bravo. He also raised thoroughbreds for the parejeras, which is a two-horse race they run in Mexico, and fighting cocks that brought him sackfuls of money every October or November from the cockfights at the livestock fairs.
"Teresa Mendoza," he murmured after a while.
He shook his head as he said this, as though remembering something funny. Then he took a swig of his beer, chewed on a piece of meat, and drank again. He was still looking at me hard from behind the dark glasses, a little sneer on his lips, perhaps, letting me know that he had no problem talking about something so old, and that the risk of asking questions in Sinaloa was entirely mine. Talking about dead men didn't cause problems—the narcocorridos were full of real names and stories; what was dangerous was asking questions about live men, because you might get taken for a bigmouth and a snitch. And I, accepting the rules of the game, looked at the gold anchor—only slightly smaller than the Titanic s—hanging from the thick gold chain that gleamed under the open collar of his plaid shirt, and without beating around the bush asked the question that had been burning my mouth since Elmer Mendoza had pointed this man out to me four days earlier. I asked what I needed to ask, and then I raised my eyes, and the guy was looking at me just like before. Either he likes me, I thought, or I'm going to have problems.
After a few seconds, he took another drink of his beer, still watching me. He must have liked me, because he finally smiled a little, just a hint. "Is this for a novel or a movie?" he asked. I told him I didn't know yet; it could be either, or both. At that, he offered me a beer, went to get another one for himself, and started to tell the story of Güero Dávila's two-timing.
He wasn't a bad guy, Güero. Kept his word, a lot of heart—brave, really brave. He was good-looking, a little like Luis Miguel, but thinner— and tougher. Great sense of humor. Easygoing. Raimundo Dávila Parra spent money as fast as he made it, or almost, and he was generous with his friends. He and Batman Guemes had been up until dawn lots of nights, partying with music, alcohol, and women, celebrating successful operations. At one time they were even close friends—bro's, or carnales, as the Sinaloans put it. Güero was a Chicano—he'd grown up in San