drew back to make an open space of canopied light.
Clare backed up, took her longest running steps, and leaped across the brook. The momentum carried her stumbling forward through the trees and into the open meadow on the other side.
What she saw in the meadow could not be right; made her blink, and blink again.
It was a vast rainbow, curled in on itself, asleep on the ground.
A third blink, but the vivid coil of color remained, a many-colored labyrinth, paths of color turning in and around and back on themselves, filling up the whole wide meadow.
Then Clare said, âOh,â out loud. Now she saw: the twisting, spiraling colors were not a grounded rainbow. They were mushroomsâ mushrooms , how strange, how Strangeâthousands of them, sprouting in every color. The mushrooms of the outer rings were bright and brilliant red, but as the circle spiraled inward, the red softened to brick, then rust, then heart-of-sun orange, then sunshine yellow, lemon yellow, goldy-green, limeâand spiraling closer and closer to the center, the mushrooms were mint, then morning sky, then evening sky, almost night, and a deeper and deeper violet.
And in the center of the mushroom rainbow-labyrinth stood a boy, all in black and gray with long, wild black hair. He was looking straight at Clare, holding a thin silver flute.
And from the end of the flute dangled Clareâs silver chain.
4
A Sky Holding Snow
The boy standing in the earth-rainbow radiated Strange like an electrical storm. Oh, but the sight of him felt dark and sweet and familiar to Clare, a cup of hot chocolate inside that storm.
She thought of the word elflocks . âAch, youâve got elflocks,â her mother would say when her hair tangled, when she had to tug the comb through hard. Clare remembered that word as she looked at the dark, silent boy, with his long dark face under long, tangled black hair. Elflocks. Not even tangled, more than tangled, and all different lengths, some twisted into ropy strands that hung lightly around his face.
He was about her age. His clothes were dark, old-fashioned, and coarse, like someone in a black-and-white movie, and his eyes were cool blues and grays.
âI know you,â said the boy.
His accent was not Irish or Scottish but thicker and older than them, like the root of the tree that bore them. Clare recognized that way of talking, but she could not think from where.
âI donât know you,â she replied; though she did, she knew she did.
He smiled a smile that was warm July to his December eyes. âFour for a boy,â he said. âDid you see the message?â
âYou sent those birds?â
âNot âsent,â no, I am no king to send ,â he said. âI asked in the proper way.â
Clare tried again. âDid you makeâdid you make, this, thisââ A question rose to her tongue; seemed unbelievably stupid; was asked anyway. âIs it a fairy ring?â She had read about those, and werenât they made of mushrooms?
He smiled one half of a smile. âThey say we make the rings for dancing in,â he said. âBut it isnât your idea of dancing weâre doing.â
We make the rings . We?
âAnd no, it is not,â he added. âBut I did help the mushrooms make it, I did that.â
âHow did youââ Clare didnât even know how to start this question. âDid you, did you dig up this clearing and then spreadââ
âWe donât make with tools,â he said. âYou know that, you know it, oh, Clare. All youâve known youâve lost. Gone too long, too long.â A shadow slipped across the boyâs eyes, a cloud across the winter sun.
âWell, Iâm sorry,â said Clare, stubborn. âButââ
âWe made it together, for you, the mushrooms and I,â said the boy. âJust as the birds and I made your morning message. That is how we