believe me,â Bradford said. âBut my wife canât help you. I promise you, Colonel, Iâm not being obstructive; she has no memory of anything that happened during the war. That whole period is a blank, thank God. To be honest, she didnât even know her own name or anything about herself.â
âSheâs very fortunate,â the colonel said. âHow does she account for this gap in her life?â
âShe believes she was ill. Thatâs all we told her and she hasnât ever tried to question any further. Sheâs well and happy, and thatâs how sheâs going to stay.â
âNothing can bring the past back?â Baldraux said. âYou are sure?â
âAs far as we know, nothing in the world.â
âVery well then. Thank you for the interview, I shanât be troubling you again.â
âI hope you catch the bastard,â Bradford said.
âAh, Major, so do I.â The slate-blue eyes were bright with hate. âAnd we will, donât worry. Sooner or later heâll be found.â
Ruth Bradford Hilton smiled at her sister-in-law and then at Karl Amstat. He had taken Tereseâs hand and seemed unable to let go of it; he hadnât said anything to her at all.
âDarling, Mr. Amstatâs an architect, isnât that fascinating?â
âYes.â Terese Bradford smiled. He had let her hand drop and there was a fixed, artificial smile on his face. He might even be a little drunk; so many people got high at cocktail parties and it was such a bore. âWhat sort of building do you design, Mr. Amstat?â
âIndustrial, mostly,â he heard himself answering, and his voice sounded quite normal. There were people pressing in all round him, it was impossible to get away for the moment. âAnd I do some private commissions, if theyâre interesting.â
âIâm very ignorant about it,â she said. âI make all my family furious by saying I prefer traditional styles to the modern.â
âItâs really a question of extremes,â Amstat said. It was the same person. She was unmistakable: the same eyes, the same face, voice, everything the same, only older, more sophisticated. He must be going mad. She didnât recognise him; she was becoming quite animated talking about architecture, and there wasnât the slightest hint of recognition. He shivered in the hot-house atmosphere, and his hands shook round the empty glass he was holding.
âHere, let me give you some champagne.â The English husband was back with a bottle, smiling under his ridiculous little brushy moustache.
âDarling,â Ruth said, âyou are sweet; whereâs that waiter got to, this is his job!â
Amstatâs glass was filled, and he found himself drinking it straight down. âItâs so hot in here,â he said to Terese Bradford. âIt makes one so thirsty.â
âIt does,â she agreed. âIâve been fifteen years in America and I still canât get used to the heating everywhere. Thereâs a balcony over there â why donât we go out and get some air? Iâm stifled.â
âWhy, yes of course, but I must watch the time.â He made a futile gesture of looking at his watch, but she had taken his arm and they were moving into a larger room. He opened the balcony doors and they stepped out. It was little more than a narrow ledge with a parapet; below them stretched a magnificent view of the glittering skyscrapers, and the incandescent, changing glow of neon signs like an electronic rainbow.
âItâs a wonderful sight, isnât it?â Terese said. He was standing beside her in the dark; the roar of the party went on behind them, and the roll of traffic in the streets far below came up very faintly like an echo. âBetter than all the Swiss mountains â are you Swiss, Mr. Amstat?â
âYes,â he said. âMy home was
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