they would never look at anything else. Mr. Waterlow was
the
man, among the young, and he had no interest in praising him, because he was not a personal friend; his reputation was advancing with strides, and any one with any sense would want to secure something before the rush.
III
THE YOUNG LADIES CONSENTED TO RETURN TO the Avenue de Villiers, and this time they found the celebrity of the future. He was smoking cigarettes with a friend, while coffee was served to the two gentlemen (it was just after luncheon), on a vast divan, covered with scrappy oriental rugs and cushions; it looked, Francie thought, as if the artist had set up a carpet-shop in a corner. She thought him very pleasant; and it may be mentioned without circumlocution that the young lady ushered in by the vulgar American reporter, whom he didn’t like and who had already come too often to his studio to pick up “glimpses” (the painter wondered how in the world he had picked
her
up), this charming candidate for portraiture struck Charles Waterlow on the spot as an adorable model. She made, it may further be declared, quite the same impression on the gentleman who was with him and who never took his eyes off her while her own rested, afresh, on several finished and unfinished canvases. This gentleman asked of his friend, at the end of five minutes, the favour of an introduction to her; in consequence of which Francie learned that his name (she thought it singular) was Gaston Probert. Mr. Probert was a kind-eyed, smiling youth, who fingered the points of his moustache;he was represented by Mr. Waterlow as an American, but he pronounced the American language (so at least it seemed to Francie) as if it had been French.
After Francie had quitted the studio with Delia and Mr. Flack (her father, on this occasion, was not of the party), the two young men, falling back upon their divan, broke into expressions of aesthetic rapture, declared that the girl had qualities—oh, but qualities, and a charm of line! They remained there for an hour, contemplating these rare properties in the smoke of their cigarettes. You would have gathered from their conversation (though, as regards much of it, only perhaps with the aid of a grammar and dictionary) that the young lady possessed plastic treasures of the highest order, of which she was evidently quite unconscious. Before this however Mr. Waterlow had come to an understanding with his visitors—it had been settled that Miss Francina should sit for him at his first hour of leisure. Unfortunately that hour presented itself as still remote and he was unable to make a definite appointment. He had sitters on his hands—he had at least three portraits to finish before going to Spain. And he adverted with bitterness to the journey to Spain—a little excursion laid out precisely with his friend Probert for the last weeks of the spring, the first of the southern summer, the time of the long days and the real light. Gaston Probert re-echoed his regrets, for though he had no business with Miss Francina (he liked her name), he also wanted to see her again. They half agreed to give up Spain (they had, after all, been there before), so that Waterlow might take the girl in hand without delay, the moment he had knocked off his present work. This amendment did not hold however, for other considerations came up and the artist resigned himself tothe arrangement on which the Miss Dossons had quitted him: he thought it so characteristic of their nationality that they should settle a matter of that sort for themselves. This was simply that they should come back in the autumn, when he should be comparatively free: then there would be a margin and they might all take their time. At present, before long (by the time he should be ready), the question of Miss Francina’s leaving Paris for the summer would be sure to come up, and that would be a tiresome interruption. She liked Paris, she had no plans for the autumn and only wanted a reason to