Horses grazed on the surrounding grassy common land, and beyond the remnants of the old rose garden that gave the theatre its name was a small orchard sprawling towards the grey, slow-moving river. The young assistant saw he was on the wrong side of the building to where he needed to be.
Fighting his way around the first-floor gallery, he found the going became easier as the flow of audience members slowed. At the third window, he glimpsed the silhouettes of the stews, inns and rough houses of Bankside. Candles were being lit in the windows. Near to the theatre was an old, thatched, timber-framed cottage that Henslowe had established as a brothel for his players and guests.
Nathaniel wondered if he could leap the gulf to the roof, decided it was madness, and continued to the front of the theatre where he found the window above the entrance. He threw it open. The cool late spring air swept in, laced with woodsmoke from the house fires and the stink of rotting refuse.
Below was a small thatched porch over the entrance, flimsy and easy to miss. The spiralling cries of distress carved through his doubts. He climbed into the window space. With a whispered prayer, he allowed himself one glance down to mark his course, then he gripped the window frame and dropped.
The small porch shattered, showering straw and shards of wood around the theatre’s entrance. Nathaniel slammed into the chalk and stone walkway. Winded and seeing stars, he shook the fog from his head. No broken bones . The porch had slowed his descent just enough.
An unfamiliar woman loomed over him. Her hair was flame-red and she wore a bodice and skirt of black taffeta and gold. When he looked into her green eyes, Nathaniel felt he was a mouse before a cat, but she was sophisticated, definitely not one of the Bankside whores.
‘Let me help,’ she said with a hint of an Irish accent. She offered her hand.
As Nathaniel limped to his feet, he was enveloped by the sweet scent of her perfume. ‘Who are you?’ he asked.
‘A friend.’ The Irish woman took the key from his hand.
‘I am always wary of friends who announce themselves as such.’ The clamour on the other side of the door almost drowned Nathaniel’s words.
‘You are right to be cautious, for terrible deeds are planned this night.’ The stranger’s green eyes flashed towards him as she slipped the key into the hole.
‘What do you know?’ Nat asked, concerned.
‘That before this night is out, the Rose Theatre will be the scene of a murder.’ The woman turned the key. ‘And that the victim will be England’s greatest spy, Will Swyfte.’
CHAPTER SIX
WILL WAS SLAMMED AGAINST THE PLASTER WALL OF THE WALKWAY outside the tiring house before he even realized he was no longer alone. His head throbbed from the impact, jarring the last vestiges of his thoughts of Jenny. Before he could recover, strong hands grasped his shoulders and thrust him into the dressing room. He fell, sprawling across the hard mortar floor. Shattered bottles drove shards of glass into his flesh and drenched him in wine.
Ignoring the pain, he rolled on to his haunches, whirling towards the doorway. Looming out of the darkened walkway was a crimson face with black-ringed eyes and horns. It took only a moment for Will to see it was a mask, not the devil returned to destroy him but a man, as tall as Will and wrapped in a black woollen cloak. To his back, he had affixed the angel wings that had been suspended in the storage rooms. Silver glinted in the light of the single candle on the floor in one corner. The spy saw it was a blade gripped in his opponent’s right hand, not a cut-throat’s knife but one lovingly crafted for ritual purposes, with a slight curve to the tip, and a cleft for cutting ligaments. Black symbols had been inscribed into the steel.
The attacker lunged like a raven falling on a dead rabbit, thrusting the knife towards Will’s neck. Still shaky from his vision, he sluggishly pulled aside. The blade
Sean Thomas Fisher, Esmeralda Morin