The Second Saladin

The Second Saladin by Stephen Hunter Read Free Book Online Page A

Book: The Second Saladin by Stephen Hunter Read Free Book Online
Authors: Stephen Hunter
Tags: Fiction, Suspense
Jesus, you guys, get
going!

    The boy was crying.
    Ulu Beg was crying.
    “You have given my son his life back.”
    “Come on, get going,” Jardi urged.
    They climbed to the mountains and were over the crest when the first jets arrived.
    Ulu Beg smiled in the memory of that day.
    Ahead, the mountains loomed.
    He reached them at twilight. Toward the end he’d crossed a road and ahead he could see another road, one that crawled up the side of the mountain, but he did not go near it. Cars moved along it. In the falling dark he climbed cold rocks. He found a trickle of water. He tracked it to a pool, and then found the spring. He drank deeply. He sat back. He ate a piece of his dry bread, and drank again. He was in the chill of a shadow but could look out and see the desert, still white and flat and dangerous.
    He climbed up. At the top, the city of Tucson lay before him. He saw a city built on sand, on a plain, cupped on all sides by other mountains. A few tall buildings stood in its center but it was mostly a kind of ramshackle newness. It was nothing like Baghdad, which was very, very old, and on a huge river.
    God willed it, he thought, and I have made it.
    He thought of Jardi and the tank and his son and why he had come to America and he began to weep.

    In the morning he rose with the sun. He opened his pack, pushed the machine pistol out of the way, and found his other shirt, a white thing with snap buttons. He pulled the shirt on.
    They had prepared him well. But they had also warned him.
    “America is like nothing you’ve ever seen. Women walk around with breasts and buttocks exposed. Food and lights everywhere, everywhere. Cars, more cars than you can imagine. And hurry. Americans all hurry. But they have no passion. Any Turk has passion. Among Turks and Mexicans and Arabs, passion runs high. But Americans are even lower, for they feel nothing. They move as though asleep. They do not care for their children or their women. They speak and talk only of themselves.
    “In all this, you will be dazzled. Expect it. There is no way we can prepare you for the shock of it all. Even a small city in America is a spectacle. A large one is like a festival of all the peoples of earth. But remember also: the grotesque is common in America. Nobody will notice, nobody will care, nobody will pay you any attention. Nobody will ask you for papers if you are cautious. You need no permits, no licenses. Your face is your passport. You may go anywhere.”
    Ulu Beg reinstructed himself in these lessons as he came down the last hill in the dawn light to the road. He moved swiftly. The distance was but a few twisting miles and the cars that sped by paid him no attention. The houses quickly became thick: small places of cinderblock in the sand and scrub. At each house was a car and in some of them men were leaving for work. Ulu Beg walked along the street. He paused to read the sign: S PEEDWAY , it said. He came to a group of men waiting by a corner. A bus arrived and they climbed aboard. He walked anotherfew blocks and again the same thing happened. At a third corner, he climbed aboard himself.
    “Hey. Fifty cents,” the driver said angrily. Ulu Beg searched his pockets. They had told him about this. Fifty cents was two quarters. He found the coins and dropped them in the box, and took a seat and rode down the Speedway toward the center of the city.
    He got out near the bus station and looked for a hotel.
    “Always stay near bus stations. Small places, dirty rooms, cheap. But a hotel, always a hotel. In a motel, they’ll ask about an automobile. You’ll have to explain that you don’t have one. Why not? they’ll ask. They’ll think you’re mad. In America it is exceedingly odd not to have an automobile. Everybody has an automobile.”
    He chose a place called the Congress—the name proclaimed proudly on a metal frame on the roof—across from a Mexican theater in a crumbling section of the city. It was a four-story building with

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