glass is stuck in my hand. I pull it out. My blood flows freely. I donât feel any pain.
I crawl out from under the table, leaving the other people. Not thinking at all, just moving. I get to my feet and run out the door, and down the High Street, and through the arch to the covered steps that take you down to the pier. The steps are dark and smell of fish and the damp stone is slippery under my feet. I have only one thoughtâto look for Gwen, to see if Gwen is alive.
At the bottom of the steps I come out into sunlight again, on the Esplanade that runs along the harbor past the pier. All the horror of it slams into me. Everything is on fire before me; I can feel the heat of it here, but the fire seems unreal, as though it couldnât burn me. There are bodies everywhere, lying strangely, arms and legs reaching out, as though they were flung from a great height. The lorries are all burning. Tomato juice and blood run together over the stones, and there is gray smoke everywhereâsmoke from the fires, and a smoke of dustâand smells of burning and blood, and a terrible rich charred smell that I know must be burning flesh. The body of a man has dropped out of the cab of his flaming lorryâitâs an ugly, broken, blackened thing. I hear a cry, and it chills meâitâs like an animal blind with anguish, not a human sound. I rub my eyes, which are stinging, as though the sight of the fire is hurting them. Everything is so bright, too brightâthe red, the flames, the blood that streams on the stones.
I look up and down the Esplanade, but I canât see Gwen, I donât think Gwen can have been here. Iâm praying she got away in time. I walk out onto the pier. Heat sears my skin as I pass a smoldering lorry. My foot slips in a pool of blood. I have some vague thought that perhaps I could helpâI can do a splint, a neat bandage, I know a little first aid. Yet even as I think this, I know how pointless, how useless, it isâI know that everything here is utterly beyond me.
I come to a man who is lying on the pier beside his lorry. His face is turned away, but something draws my eyeâthe checked cloth cap on the ground beside him. Thereâs some significance to this, but my thoughts are so heavy and slow.
âOh God,â I say then, out loud. âFrank. Oh God.â
Itâs Frank le Brocq.
I kneel beside him. I can see his face now. At first I think he must be dead already. But then his eyelids flicker. I cradle his head in my hands.
âFrank. Itâs Vivienne. Frank, itâs all right, Iâm here. . . .â
But I know it is not all right. The one thing I know is that he cannot live with such woundsâthe blood that seeps from the side of his head, the blood that slides out of his mouth. I feel a heavy passive helplessness, so any gesture, any word, takes all the strength I have.
Heâs trying to speak. I put my ear close to his mouth.
âBastards,â he whispers. âFucking bastards.â
I kneel there, holding him.
I try to say the Lordâs Prayer. Itâs all I can think of. My mouth is stiff and Iâm afraid that I wonât remember the words. But before I get to the power and the glory he is dead. I carry on anyway. For ever and ever. Amen .
Heâs staring at me with empty eyes. I reach out and close his eyelids. Then I just kneel there beside him. I donât know what to do now.
A shadow falls across me; someone is bending down to me. I look upâitâs a fireman. Behind him, I see the single fire engine thatâs come.
âExcuse me,â I say. âI know youâre terribly busy, but this manâheâs a friend of mine, Frank le Brocq.â
The firemanâs face is white but composed. He peers down.
âI know Frank,â he says.
âThe thing isâheâs dead, you see,â I say.
âPoor, poor bugger,â says the man. âYou knew him, did you? You knew