expectations of the most unruly sorts of behavior. He had no business sending her a painting of any kind, let alone one that could be considered of questionable decency.
But she didnât call for Rose to come take the thing away. She stared at it, drinking in the colors, the delicate brushwork, and most of all, that sliver of light that shone through the open door.
You are not alone. The door is open.
A firm step sounded in the hallway outside. Madelene jumped and slapped her hand over her mouth to cover the shocked cry. A knock sounded, and her heart beat out of control.
What do I do? Where can I hide it?
But then came Heleneâs voice. âMadelene? Itâs me. May I come in?â
Madelene rushed to unlock the door. Helene marched in, her eyes sweeping the room. When she spotted the painting, she closed and locked the door before Madelene could even reach for the key.
âOh, Helene,â murmured Madelene. âYou startled me. I was afraid. I...â But Helene wasnât listening. She crossed the room and, without waiting for permission picked up the painting. Her brows lowered, which in Helene was an indication of surprise and strong consternation. Madelene felt her cheeks heating up, because she knew Helene did not miss the similarity between herself and the girl in the picture.
âWhere did this come from?â Helene asked as she carefully placed the painting in Madeleneâs dressing room and shut that door.
âLord Benedict sent it.â Madelene passed Helene the note. Helene read it and frowned.
âWhat are you going to do?â
âI donât know.â Madelene folded the note back up and tucked it into her sleeve. âI canât keep it.â
âNot here,â agreed Helene thoughtfully. âIâm sure Miss Sewell would keep it for you if you wanted.â
âI donât know what I want.â Madelene smoothed her hair back from her forehead. Sheâd been through too many wild swings of emotion; from the desperate hope when she sat among her friends, to the anger and exhaustion and the endless wearing worry that swamped her when she came home, to this . . . this grand, beautiful gesture from a man she barely knew, a dangerous man with dark eyes whose lightest touch set her mind wandering down the most wicked paths.
âI expect you do know,â Helene said. âAnd better than youâre ready to admit.â
Madelene didnât answer that. âSit down, Helene. Tell me why youâve come.â
Helene took one of the round-backed chairs by Madeleneâs small hearth. âI came to make sure you were all right after all that talk at Miss Sewellâs.â
âOh yes, Iâm fine . . .â
âMadelene,â Helene cut her off firmly. âYou know you donât have to be polite at me.â
âPolite at me,â Madelene repeated. âYouâre the only person I know who talks like that.â
âOnce weâre successes I shall set a new fashion in language. Please, Madelene,â Helene added softly. âIâm sorry if we upset you. You donât have to write your cousin or do anything about Lord Benedict. Send back the painting, and the note if thatâs what you want. Iâll help you.â
âThen what do I do to help your plans, Helene?â She spread her hands. âKeep being the moneybags?â
âThat is a vulgar expression.â
âPerhaps Iâll set a fashion in language, too. Wouldnât that surprise everybody?â Madelene tried to smile, but it faded quickly. âI want to do something. Really do something. Itâs what weâve talked about, isnât it? If I donât try new things, Iâll just keep being afraid.â
âBut if itâs too soon . . .â
âItâs not too soon,â Madelene said. âBut Iâm afraid it might be too late.â
âNever.â Helene