bitâkind of like doing the slow pull with a Band-Aid. Or he could tell the whole story all at onceâkind of like the fast pull. He picked the quick way.
The story came tumbling out: the writing assignment; how he got a better idea so he tried to start over but his eraser ripped his paper; how he threw his pencil but he didnât mean to hit Jasmine; and how now Mrs. Tuttle put three Band-Aids on his arm every day, and every time he changed his mind, she pulled one off as a reminder. âShe calls them decision-aids,â he said. âI hate her!â Monty felt so mad, he couldnât stop. âAnd I hate Sierra, too!â he added.
Monty knew what would happen now. His mom would give him a lecture about how
hate
was a very strong word, and didnât he actually mean he was
very angry?
And Sierra wouldnât get in trouble at all.
But his mom didnât give that lecture. âI donât think I like the sound of this,â she said as she pulled over her laptop. âIâm going to write Mrs. Tuttle and set up a time to speak with her.â
âMom, no!â cried Monty. âYou canât!â
âWhat do you mean, I canât? Of course I can talk with your teacher.â
How could his mom not know what a disaster talking to his teacher would be? Mrs. Tuttle would be mad because he had tattled on her. Sheâd take it out on him in a hundred little ways for the rest of the year.
âJustâno,â he spluttered. âItâs just, like, temporary. I think itâs only for the week, or something. Mom, Iâm handling it.
Please
.â
Monty hoped that adding
or something
made what he said not a lie. Besides, Mrs. Tuttle never said anything about how long it would be. Maybe it really was temporary!
âOkay,â said his mom with a sigh. âIâll wait on that. But Monty, thereâs something I want you to think about for me, okay?â She took hold of his hands. âI havenât made a decision yet, but something Iâm thinking aboutâand Iâm asking you and Sierra to think about this, tooâis having the two of you flip-flop.â
Montyâs nose was starting to itch. He needed to scratch wicked bad. Finally he had to let go of his momâs hands and scratch his nose. His fingers smelled like the oil she used for her last massage. Peppermint.
âFlip-flop?â he asked.
âInstead of both of you going to dadâs together and both of you coming here together, one of you would be at dadâs while the other one was here, and vice versa. You two could . . . take a little break from each other.â
It was true Monty got really mad at Sierra sometimes. She bugged him a lotâlike todayâand when she bugged him, they fought. But that was no big deal. All kids fought, right? It was no bigger a deal than scratching an itch. Thinking about scratching made his nose itch again. He peppermint scratched some more, trying to imagine being here without his sister. Or being without her at Dadâs. It was hard to imagine. No matter how much he hated it when his mom said
you two
, the two of them had always been together. What would it be like if they werenât?
Maybe they wouldnât be lumped together so much. Lumping was one of the bad things about being a twin. If something one twin did made Mom or Dad mad, the other twin could pay the price. Because a mad-at-one-twin parent was a grumpy-with-the-other-twin parent. It was grumpy lumping, and it wasnât fair.
But being a twin had tons of perks, too. Both his mom and dad kept pestering Monty to invite a friend over once in a while, but he hardly ever bothered. Because Sierra was always there. Or if she wasnât there right that second because she was at soccer, sheâd be home soon. Monty liked always having somebody to hang out with.
Basically, there were good and bad things about being a twin. Flip-flopping would mean getting
Seraphina Donavan, Wicked Muse