the architecture around it.
A road led down into a park, then continued on below and through the tall hill, which Cooper supposed might be the mountain in question. In the distance the Dome loomed, a planetoid moments away from collision.
Cooper stumbled toward the park, a nestled vale of cypress and stranger trees, rangy blue-tipped eucalyptus, curly willows whose curls spilled upward. Beyond the park, the road dipped beneath the mountain, dark as a funnel spider’s web.
An overgrown drum circle seemed to have set up semipermanent camp in the park—dominated by a profusion of musicians and singers who sat atop or leant against a length of massive chain that seemed more or less draped across the park. The tolling of bells that had followed him all day grew louder, but didn’t seem to dampen the orchestral spirit of the gatherers. An odd little musical collective played a dozen tunes at once and each drew its own audience, using the oversized chain links as performance spaces and stages, or for seating.
Away from the tidal force of the streets of the Guiselaine, Cooper found the presence of mind to closely examine the throng for the first time. The people who arranged themselves according to the links of huge chain seemed plucked from a dozen countries and eras. A dozen worlds. A mule-eared busker juggled pomegranates in one hand while playing a brass horn with the other, and he winked at Cooper with overlarge eyes as he passed. A few chain links down, a trio of women with bared breasts and faces painted like Chinese princesses arranged sheaves of music on the shelves of a kiosk, singing in three-part harmony.
What are those chains for? Cooper mused. He’d seen them from Sesstri’s rooftop running through canals and alleyways. They cut through the city, but whatever purpose they might once have served seemed forgotten, or at least buried.
Cooper burped loudly and tasted beer— a shaven-headed man with a chest scrimshawed in scars clapped and gave him a thumbs-up before going back to pounding out rhythm on the skin of his drum. Cooper gawped at the muscles dancing in the man’s torso; in his stupor the scars seemed to wink like the faces in the bark of an ancient tree. One of the painted princesses broke away from her sisters to rest her hand upon the scrimshawed man’s shoulder, leaning over from behind to kiss his cheek. The rough-looking man leered at her appreciatively, still drumming, and rubbed his beard against her peach nipple, inhaling the perfume of her breasts with a familiar relish.
“Beautiful, ain’t she?” he asked when he saw Cooper look a moment too long.
“Oh. Yes.” Cooper scratched his head. “Absolutely, yes.”
Taking in his surroundings with an equanimity only the inebriated can command, Cooper made his way through the crowd of listeners and performers. Once he would have given an arm to step through a doorway into an otherworldly carnival, but now all he could do was look for an ATM sign. It was a compulsive reflex in a head not quite as prepared for total world-upheaval as it might once have fancied itself.
Shaking off his ghosts, Cooper thought that he hadn’t intended to get drunk, but couldn’t convince himself that he wished he were sober. It was that damn fighter pilot’s fault, anyway.
Under mountain. Cooper looked up to see the rise of tilted buildings climbing up the near distance. It seemed that all the houses and rookeries could come sliding down on all their heads at any moment. The lane dipped at an easy angle, and as he left the music behind, Cooper smelled incense and dinner being fixed within nearby homes. Garlic, onion, meat— and from the descending path he followed, sandalwood, cedar, amber.
The steps were carved in a shallow decline on either side of a wide ramp intended for handcarts and rickshaws, and Cooper stumbled past townhouses and tenements in a succession of levels until the narrow ribbon of the sky was crisscrossed by a web of supports and