difficulty.
So Merle was caught completely unprepared when the students from the other
side brought the quarrel forcefully to mind. As she later learned, it had been a
tradition for years among the apprentices of both houses to play tricks on each other,
which not infrequently ended with broken glass, cursing masters, bruises, and abrasions.
The last of these attacks had been three weeks before and was credited to Dario, Boro,
and Tiziano. The weaver boysâ retaliation was long overdue after that.
Merle didnât find out why theyâd chosen this morning,and she was also not sure how theyâd succeeded in getting
inside the houseâalthough later it was suspected theyâd laid a board across
the canal from one balcony railing to the other and so had balanced their way to the
mirror makerâs side. That they did all this in broad daylight, and during working
hours, was a sign that it had been done with Umbertoâs blessing, just as earlier
trespasses by Dario and the others had taken place with Arcimboldoâs
agreement.
Merle was just about to begin gluing the wooden frame of a mirror when
there was a clatter at the entrance to the workshop. Alarmed, she looked up. She was
afraid Junipa had stumbled over a tool.
But it wasnât Junipa. A small figure had slipped on a screwdriver
and was staggering, fighting for balance. Its face was hidden behind a bear mask of
enameled paper. With one hand it flailed wildly in the air, while the bag of paint it
had held in the other burst on the tiles in a blue star.
âWeavers!â Tiziano bellowed,
dropping his work and jumping up.
âWeavers! Weavers!â Boro, in another corner of the workshop,
took up his friendâs cry, and soon Dario also thundered in.
Merle got up from her place in irritation. Her eyes traveled uncertainly
around the room. She didnât understand what was going on, ignorant of the
competition among the apprentices.
The masked boy at the entrance slipped on his own
paint and crashed on the seat of his pants. Before Dario and the others could laugh at
him or even go for him, three other boys appeared in the corridor, all wearing colorful
paper masks. One in particular caught Merleâs eye: It was the visage of a splendid
fabulous beast, half man, half bird. The long, curving beak was lacquered golden, and
tiny glass gems glittered in the painted eyebrows.
Merle didnât have a chance to look at the other masks, for already a
whole squadron of paint bags was flying in her direction. One burst at her feet and
sprayed sticky red, another hit her shoulder and bounced off without bursting. It rolled
away, over to Junipa, whoâd been standing there with a gigantic broom in her hand,
not quite knowing what was happening all around her. But now she grasped the situation
and quickly bent, grabbed the paint bag, and flung it back at the invaders. The boy with
the bear mask sprang to one side, and the missile hit the bird face behind him. The bag
burst on the point of the bill and covered its owner with green paint.
Dario cheered, and Tiziano thumped Junipa encouragingly on the shoulder.
Then the second wave of attacks followed. This time they didnât get off so
lightly. Boro, Tiziano, and Merle were hit and spotted over and over with paint. Out of
the corner of her eye, Merle saw Arcimboldo, cursing, close the door of the mirror
storeroom and bar itfrom inside. His students might break heads, so
long as the finished mirrors remained unharmed.
The apprentices were left to their own devices. Four against four. Really
even five against four, if you counted Junipaâafter all, in spite of her weak
eyes, sheâd scored the first hit for the mirror makers.
âItâs the student weavers from the other bank,â Boro
called to Merle as he grabbed a broom, wielding it like a sword with both hands.
âNo matter what