périphérique .â
Alice nodded. It was a bit windy out here above the cemetery and her hair started blowing about wildly. Didier took off his glasses and began polishing them on the hem of his T-shirt. Without them, he looked more like a tennis star or a cyclist than a philosopher. âSo how do you get there?â asked Alice.
âOh,â said Didier, putting his glasses back on, âI fly. Didnât Louis tell you I could fly?â
âYes, he did,â said Alice, âbut I donât necessarily believe everything he says.â
âWould you like a Yop?â asked Didier.
âWhat?â said Alice.
I told Mum Yop was a yoghurt drink. Students and joggers in the Parc Monceau drank Yop and the litter bins were full of old Yop containers. She said OK, sheâd like one. Then she said to Didier, âWhich tomb is your fatherâs?â
He pointed to the far side of the graveyard, where Iâd noticed one of the dead peopleâs houses had an angel on the roof. It was the only angel in the whole place. âThere,â he said, ânext to the angel. The small one on the right of it.â
We all looked at Didierâs fatherâs tomb. In scale, and in situation, it looked like the garage to the house with the angel. It didnât look as though there was any room for Didierâs mother in the garage, and I wondered whether, every time he came here, Didier thought, that fucking angel, overshadowing Papa, and making him seem small, Iâm going to knock its wings off one day!
But he didnât seem downhearted. He bought us the Yops and we drank them while we watched the roller-skaters and I could see that Mumâs fury was lessening and that she was enjoying herself. I didnât know which thing it was that had cheered her up.
When Didier went off to skate, as soon as he did his first run we could see that he was the best, the niftiest. His slalom technique was perfect and he went faster than all the other skaters.
I said to Mum: âThat could be it, you know.â
âWhat?â she said.
âWhy heâs called Didier-the-Bird.â
But her eyes were fixed on Didier and she didnât bother to reply.
When we got back to the flat, it was about six oâclock. Sergei was there alone. There was a furious note on the hall table from Valentina, which said: Why do you sneak out like thieves? This is not a hotel! Lewis, walk Sergei when you return. V .
I got Sergeiâs kite lead. I thought Iâd head for the Eiffel Tower and beg it to let me stay in Paris. Iâd never begged in French before, to something made of iron, but I didnât see why I shouldnât try.
We set off down the leafy boulevard, which I now knew was the Avenue George V, but we hadnât got very far when Sergei suddenly stopped and wouldnât walk on. I tugged at him, but he just sat down in the street and then he vomited.
Heâd chosen a really bum place. We were right in front of the Hôtel George V, almost on its doormat, and when the hotel doorman saw what had happened he started to shriek at me. People arriving in Rolls-Royces and Cadillacs had to step round Sergei and his vomit and I could perfectly well understand that this didnât give them a good first impression of the hotel.
I told the doorman that I was very sorry and I tugged Sergei to a plane tree, where he looked up at me piteously. I stroked his head, like Mum used to stroke mine when I was made of Play Doh and puked in the night.
Iâd tried to make Sergei walk towards home, but he refused; he just kept lying down on the pavement. So I had to stagger along with him in my arms. I kept remembering what Valentina had said about Mr Gavrilovich heaving sacks of coal that weighed as much as a child of seven. Sergei must have weighed as much as a child of nine.
Everyone stared at me, a thin boy carrying a gigantic dog, but no one offered to help me and the rue Rembrandt was a
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