what
youâd
call a beautiful woman. She was one of the most beautiful women
Iâve
ever laid eyes on.â
Yes, Martin thought. That was obvious from the moment heâd opened the crate. And his next question was the reason heâd come so far. âWhy?â he heard himself ask. âWhat was it about her?â
âI thought you didnât want to talk about aesthetics, Martin,â the painter replied.
That night, Martin and Beth ate by candlelight in the innâs small dining room. The candles were a matter of necessity. The storm had blown up out of nowhere, or so it seemed to Martin. The sun had disappeared behind that first cloud when heâd arrived at Trevorâs studio; by the time heâd left, an hour later, the sky was rumbling with dark, low thunderheads from horizon to horizon. The painter, predicting that the island would lose power, had insisted that Martin take a flashlight with him. âJust leave it in the room,â heâd instructed. âI run into Dennis and Pat all the time. They can return it whenever.â When Martin smiled at this and shook his head, Trevor read his thought and nodded in agreement. âIsland life, Martin. Island life.â
He had walked with Martin as far as the gate, an effort that clearly cost him. âWhatâs wrong with your leg, Robert?â Martin asked as he lifted the latch to let himself out.
âItâs my hip, actually. It needs replacing, they tell me. Iâm thinking about it.â
Martin remembered the battered table Trevor used for his paints, the broken leg he continued to prop under it. Unless he was very much mistaken, Trevor wasnât the sort of man who put much faith in âreplacement.â
âYou didnât come to visit her,â Martin remarkedâone last-ditch attempt at censureâafter the gate swung shut between them.
âNo.â
âYou could have,â he said. âYou could have shown up with Joyce, claimed to be an old friend. I wouldnât have known.â
âI thought about it,â Trevor admitted. âBut I had it on excellent authority that I wasnât needed. You rose to the occasion, is what I heard.â
In the distance, a low rumble of thunder.
âThatâs what our friend Joyce canât quite forgive you for, by the way,â he continued. âYour devotion during those last months enraged her. Up to that point, sheâd always felt perfectly justified in despising you.â
âYou mean I rose to the occasion of her death, but not her life?â
âSomething like that,â Trevor nodded. âBut look at it this way. You got a damn good painting out of that womanâs need to punish you.â
âI donât know what to do with it, though,â Martin said. âI had to rent one of those self-storage units out in the valley.â
âAir-conditioned, I hope.â
Martin smiled. âItâs the only thing in there.â
âIâd love to have it back, if you donât want it.â
âItâll be even harder to look at now,â heâd admitted, though he knew heâd never return the painting to Trevor. âThat look of longing on her face. The way she was standing there. Iâm always going to know it was you she wanted to come through that door.â
âWrong again, Martin.â Trevor was leaning heavily with both hands on the gate now, letting Martin know that a handshake wasnât any more necessary now than it had been earlier. It suddenly dawned on Martin that the man had to be in his seventies. âI was the one who
did
come through that door. You were the one she was waiting for.â
âSo,â Beth said, digging into her steak with genuine appetite. At least, Martin thought, she wasnât one of those L.A. girls who always order fish and drink nothing but mineral water. âWere you worried about me?â
âYes,â he said.
Jo Willow, Sharon Gurley-Headley