suddenly waltzed into our office with that.'"
The Widower's Two it Step 47
I scanned the document. It was a poorquality photostat of an agreement dated last July, signed by Tilden Sheckly and Les SaintPierre as Miranda's manager. All the legalese seemed to boil down to one main promise: that Tilden Sheckly would have first option on any performances or recordings by Miranda Daniels for the next three years.
I looked at Milo. "This means Sheckly could veto the deal with Century Records?"
"Exactly."
"Is the contract valid?"
"Hell, no. Les screamed bloody murder when he read it. It's a forgery, the oldest bluff tactic in the book. Sheckly's just trying to scare away a potential buyer and Les wasn't about to fall for it."
"So what's the problem?"
"The problem is it's a very effective bluff. Major labels are skittish about new talent. To prove the contract invalid Les would have to go to court, make Sheckly produce the original document. Sheckly could delay for months, drag things out until Century lost interest in Miranda or found another place to sink their money. The window of opportunity for a deal like this shuts pretty damn quick."
"And Les isn't around to challenge it."
Milo held his hand out for the contract. I gave it back. He stared at it distastefully, then folded it and filed it away.
"Les said he had a plan to get Sheckly's balls in a squeeze, something to make Sheck withdraw the contract and do anything else Les told him to do. Les had been spending a lot of time with Julie Kearnes since we took over management of the band. Les said she was going to help him out."
"Blackmail?"
"Knowing Les, I don't doubt it. I warned him to be careful of Julie Kearnes. She'd been working too long with Sheckly; she was still taking his money. Julie was sweet to Les but I saw her other side. She was bitter, shorttempered, jealous as hell. She complained about how Miranda was going to go down the same way she had, that it was just a matter of time. Julie said Miranda should be more grateful, keep Julie around for all her experience once Miranda signed with Century."
He sighed. "Les wouldn't listen to me about Kearnes. They'd gotten pretty close over the last month. I'm not sure how close, to tell you the truth. Then he disappeared. I was hoping if you kept tabs on Julie"—Milo rapped his knuckles lightly on the desk, he scowled—"I don't know what I thought. But it looks like Sheckly got his problems solved very neatly. First Les. Now Julie. Whatever they were planning to do to get Sheck's claws off Miranda Daniels, it isn't going to happen now."
I found myself looking again at the photo on the wall—at the unimpressive face of Miranda Daniels. Milo must've guessed my thoughts.
"You haven't heard her sing, Navarre. Yes, she's worth the trouble."
"There's got to be other country singers around. Why would a guy like Tilden Sheckly get bent out of shape over one that broke out of the stable?"
Milo opened his mouth, then closed it again. He looked like he was reorganizing what he wanted to say. " You don't know Sheck, Navarre. I told you he lets some of his wellbehaved artists like Julie Kearnes stick around after they're washed up. One of Sheck's less cooperative girls ended up at the bottom of a motor lodge pool. Freak swimming accident. Another male singer who tried to get out from under Sheckly's thumb was busted with a gram of cocaine in his glove compartment, got three years of hard time. The deputies in Sheck's county handled both cases. Half of the Avalon Sheriff's Department works security at the Paintbrush on their off hours. You figure it out." "Still—"
"Les and Sheck had a history, Tres. I don't know all the bloody details but I know they've been at each other's throats over one deal or another for years. I think this time Les went a little too far trying to twist Sheckly's arm. I think Sheckly finally decided to solve the problem the way Sheck knows best. I need you to tell me for sure."
I unwrapped a