side of the door and was piled with curling, crumbling parchments. Animal skulls occupied a dusty shelf over the table, and, as my eyes grew accustomed to the sepulchral gloom, I saw there were at least two human skulls among them. Faded shields were stacked against a vast clay pot in which a sheaf of cobwebbed spears was thrust. A sword hung against a wall. A smoking brazier stood in a heap of grey fire-ash close to the big copper mirror on which, extraordinarily, there hung a Christian cross with its twisted figure of their dead God nailed to its arms. The cross was draped with mistletoe as a precaution against its inherent evil. A great tangle of antlers hung from a rafter alongside bunches of dried mistletoe and a dangling clutch of roosting bats whose droppings made small heaps on the floor. Bats in a house were the worst omen, but I supposed that people as powerful as Merlin and Nimue had no need to worry about such prosaic threats. A second table was crowded with bowls, mortars, pestles, a metal balance, flasks and wax-sealed pots which I later discovered held dew collected from murdered men's graves, the powder from crushed skulls and infusions of belladonna, mandrake and thorn-apple, while in a curious stone urn next to the table was heaped a jumble of eagle stones, fairy loaves, elf bolts, snake stones and hag stones, all mixed up with feathers, sea shells and pine cones. I had never seen a room so crowded, so filthy or so fascinating and I wondered if the chamber next door, Merlin's Tower, was just as dreadfully wonderful.
Nimue had stopped crying and now lay motionless in my arms. She must have sensed my wonder and revulsion at the room. "He throws nothing away," she said wearily, 'nothing." I did not speak, but just soothed and stroked her. For a while she lay exhausted, but then, when my hand explored the cloak over one of her small breasts, she twisted angrily away. "If that's what you want," she said, 'go and see Sebile." She clutched the cloak tight about her as she climbed off the platform bed and crossed to the table cluttered with Merlin's instruments.
I stammered some kind of embarrassed apology.
"It's not important," she dismissed my apologies. We could hear voices on the Tor outside, and more voices in the great hall next door, but no one tried to disturb us. Nimue was searching among the bowls and pots and ladles on the table and found what she wanted. It was a knife made from black stone, its blade feathered into bone-white edges. She came back to the fusty bed and knelt beside its platform so that she could look straight into my face. Her cloak had fallen open and I was nervously aware of her naked, shadowed body, but she was staring fixedly into my eyes and I could do nothing but return that gaze.
She did not speak for a long time and in the silence I could almost hear my heart thumping. She seemed to be making a decision, one of those decisions so ominous that it will change the balance of a life for ever, and so I waited, fearful, helpless to move from my awkward stance. Her black hair was tousled, framing her wedge-shaped face. Nimue was neither beautiful nor plain, but her face possessed a quickness and life that did not need formal beauty. Her forehead was broad and high, her eyes dark and fierce, her nose sharp, her mouth wide and her chin narrow. She was the cleverest woman I ever knew, but even in those days, when she was scarcely more than a child, she was filled with a sadness born of that cleverness. She knew so much. She was born knowing, or else the Gods had given her that knowledge when they had spared her from drowning. As a child she had often been full of nonsense and mischief, but now, bereft of Merlin's guidance but with his responsibilities thrust on her thin shoulders, she was changing. I was changing too, of course, but my change was predictable: a bony boy turning into a tall young man. Nimue was flowing from childhood into authority. That