The World at Night by Alan Furst Read Free Book Online Page B

film. Then Casson followed the Peugeot on a steep, narrow road that wound down to the banks of a river. A series of tight curves—it took Casson four moves to maneuver the truck through the final hairpin.
    He turned off the ignition, then sat still for a long time. A tiny village, completely deserted, the people fled or sent away. A silent, cobbled street; on one side the river, on the other a few old buildings, crumbling, leaning together, ivy and wild geranium growing up the stone corners and over the tops of the doorways. In the silver moonlight the water and the stone were the same color. A low hill rose above the tile roofs to a wall masked by shrubbery, then Lombardy poplars rustled in the breeze. Then the stars.
    Captain Degrave walked over from the Peugeot and appeared at the window of the truck. “There’s a hotel up the street,” he said. “The Hotel Panorama. We were supposed to billet there, but the colonial troops have it.”
    Casson had seen them on the road earlier that day; Algerian infantry and Vietnamese machine-gun squads. “I can sleep in the truck,” he said.
    “Yes,” Degrave said. “You might as well.”
    Casson lay across the seat, listening to the river—the wash of the water moving along the stone embankment—and the cicadas. He turned on his side and fell asleep.
    He had a powerful dream, a dream of lost love found again. His heart swelled with happiness. The woman sat across from him—their knees almost touched—and spoke in whispers, as though people were nearby and could hear them.
    “That was love,” she explained. “We were in love.”
    He agreed, nodded, their eyes met, they longed to hold each other but it was a public place. “We can’t let it go again,” she said.
    “No.”
    “We can’t.”
    He shook his head. If they let it go again it would be gone forever.
    He woke up. The guns had stopped, there was just the river and the insects, loud on a summer night.
    They worked hard the next day. Degrave started out just as the sun was coming up. They traveled along the river, through a burned village. Casson saw signs in Flemish, so they were actually over the border, in Belgium. They drove for a long time, the roar of the tank engines was deafening, the smell of gasoline and scorched oil hung thick in the morning air. At Degrave’s signal he pulled to one side. Meneval cranked up the camera until the spring was tight, then they filmed the column—tanks coming over a hill, bouncing on their treads in a cloud of dust. They filmed the Algerians on the march, their faces dark and sweating, and the Vietnamese machine gunners, carrying spare barrels and steel boxes of ammunition. Moving up to battle, somewhere in Belgium.
    They drove and filmed all day, then stopped in a forest, slept, ate some salted beef and lentils from ration tins. The officers waited for darkness, then ordered the column to move forward. The night was black and very warm. Casson bit his lip as he fought the wheel and shifted gears, dazed from the noise and the heat, close to exhaustion. To his left, on a wooded hillside, a flash lit up a grove of pine trees and the sound of a hollow thump came rolling down the hill, audible above the whine of the engine. What was it? But of course he knew what it was. Fascinated, he stared at the sideview mirror, a small fire flickered at the center of the dark glass, then the road curved and it was gone. Directly ahead of him, the silhouette of a tank’s turret gun traversed back and forth.
    A soldier ran in front of him and waved for him to slow down. A group of men, shadows, moved restlessly around something on the ground. Casson saw one white face turned suddenly toward him, the eyes were wide with fright. Then an officer with a swagger stick swept it violently in the direction the column was headed —move, move— and Casson stepped on the gas. Another flare on the hillside. Then a flash blinded him. He took a hand from the wheel and pressed his eyes. A loud crack.