Memnon does not chide her as he hurries her out, into the dropshaft, down fifty-two floors to their home in Chicago.
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That night, although she wants him intensely, she turns her back on Memnon when he reaches for her. She lies awake listening a long time to the gasps and happy groans of the couples sprawled on the sleeping platforms about her, and then sleep comes. Aurea dreams of being born. She is down in the power plant of Urban Monad 116, 400 meters underground, and they are sealing her into a liftshaft capsule. The building throbs. She is close to the heat-sink and the urine-reprocessing plant and the refuse compactors and all the rest of the service gear thatkeeps the structure alive, all those dark, hidden sectors of the urbmon that she had to tour when she was a schoolgirl. Now the liftshaft carries her up, up through Reykjavik where the maintenance people live, up through brawling Prague where everyone has ten babies, up through Rome, Boston, Edinburgh, Chicago, Shanghai, even through Louisville where the administrators dwell in unimaginable luxury, and now she is at the summit of the building, at the landing stage where the quickboats fly in from distant towers, and a hatch opens in the landing stage and Aurea is ejected. She soars into the sky, safe within her snug capsule while the cold winds of the upper atmosphere buffet it. She is six kilometers above the ground, looking down for the first time on the entire urbmon world. So this is how it is, she thinks. So many buildings. And yet so much open space!
She drifts across the constellation of towers. It is early spring, and Chipitts is greening. Below her are the tapered structures that hold the 40,000,000+ people of this urban cluster. She is awed by the neatness of the constellation, the geometrical placement of the buildings to form a series of hexagons within the larger area. Green plazas separate the buildings. No one enters the plazas, ever, but their well-manicured lawns are a delight to behold from the windows of the urbmon, and at this height they seem wondrously smooth, as if painted against the ground. The lower-class people on the lower floors have the best views of the gardens and pools, which is a compensation of sorts. From her vantage point high above, Aurea does not expect to see the details of the plazas well, but her dreaming mind suddenly gives her an intense clarity of vision and she discerns small golden floral heads; she smells the tang of floral fragrance.
Her brain whirls as she engorges herself on the complexities of Chipitts. How many cities at twenty-five to an urban monad? 1,250. How many villages at seven or eight to a city? More than 10,000. How many families? How many nightwalkers now prowling, now slipping into available beds? How many births a day? How many deaths? How many joys? How many sorrows?
She rises effortlessly to a height of ten kilometers. She wishes to behold the agricultural communes that lie beyond the urban constellation.
She sees them now, stretching to the horizon, neat flat bands of green bordered in brown. Seven eighths of the land area of the continent, she has been told endlessly, is used for the production of food. Or is it nine tenths? Five eighths? Twelve thirteenths? Busy little men and women oversee the machines that till the fertile fields. Aurea has heard tales of the terrible rites of the farming folk, the bizarre and primitive customs of those who must live outside the civilized urban world. Perhaps that is all fantasy; no one she knows has ever visited the communes. No one she knows has ever set foot outside Urban Monad 116. The courier pods trundle endlessly and without supervision toward the urbmons, carrying produce through subterranean channels. Food in; machinery and other manufactured goods out. A balanced economy. Aurea is borne upward on a transport of joy. How miraculous it is that there can be 75,000,000,000 people living harmoniously on one small world! God bless, she thinks. A
Jennifer LaBrecque, Leslie Kelly