thirty-seventh birthday.
A few mornings later, a lumber wagon with a casket roped in place jolted out of the Tierney Basin and set off on the day-long trip to the cemetery at White Sulphur Springs. Behind the rough hearse coiled a dusty column of riders on horseback and families in spring wagons, neighbors and kin. They buried Peter Doig, tailor's helper in Scotland and homesteader in Montana, and rode their long ride home into the hills.
Charles Campbell Doig was nine when his father died, made old enough in that instant to help his mother and his brothers carry the body in from the dark garden dirt. It must have been the first time he touched against death. And touched ahead, too, somewhere in his scaredness, to the life he was going to have from then on in that lamed family, on that flinty Basin homestead.
That is as much as can be eked out—landscape, settlers' patterns on it, the family fate within the pattern—about the past my father came out of. I read into it all I can, plot out likelihoods and chase after blood hunches. But still the story draws itself away from the dry twinings of map work and bloodlines, and into the boundaries of my father's own body
and brain. Where his outline touched the air, my knowing must truly begin.
He was, as I have said, not more than five and a half feet tall, and he had the small man's jut of jaw toward heaven about that.
I never saw anybody so big I couldn't take him on in a fight, anyway.
That would have been said from his declaring stance, standing flat-backed as if a strut had been stopped in midstride. Then the grin would have worked at the handsome straight mouth and the wryness come:
He might of cleaned my clock when I took him on, too, but that didn't matter. Oh, as the fellow says, I'm awfully little but I'm awfully tough.
As the fellow says. That signal began seven of every ten of his jokes, the Dutch fellow or the Chinese fellow or the Irish fellow intoning one jape or another—and inevitably performed in Dad's dialect tries, all hopelessly but happily lost in his own heathery burr. My father had a humor unusual in a tense man, a casual gift of storying which paid no attention to the nerves twanging away in him. This may account for the way people sometimes have talked to me of him as if Charlie Doig were two separate men.
I remember Charlie could spiel with the best of us knotheads,
one will say,
had a story ready whenever he remembered to look up from his work.
And another,
He knew sheep ranchin', that feller did, but you know he could kind of get excited workin' cattle, he was too nervous to be the best cowman.
He divides like that in my own memory as well. Here, the natural pace of story which would have me listening without daring a blink. There, his marks of worry or tension, the tongue-click against the roof of his mouth or the spaced rhythm which began to parcel his words:
Damn-it-to-hell-anyway....
Too, I somehow see my father in different sizes at once—the box-jawed man so far above me as a boy, the banty of a fellow beside me when I had grown. But at whatever version, a remarkable economy of line about him. As if making it up to him for the shortness and a weight of only about 135 pounds, Dad's body went wide and square at the shoulders and then angled neatly down, like a thin but efficient wedge. His arms were ropy with muscle, yet not large; it was a mystery where the full strength of him came from, for he was as strong as men half again his size in lifting hay bales or woolsacks or wrestling calves down for the branding iron.
The quick parts of his brain, and they were several, mostly had to do with such ranchcraft. This came both from that Basin upbringing and from having flung himself out of it.
He was just pretty catty about anything to do with a ranch. And I knew Charlie when he wasn't much more than dry behind the ears, out and ridin' for these stock spreads....
So to me now, looking at my father's early life is something like the first