Iâve actually started to like playing it, more than I ever have before. Itâs a lot easier to be good at something that you enjoy.
Itâs also true that Iâve been practicing like crazy. Whenever I have a free second, Iâm off in a corner somewhere with my guitar, working through my family pieces so they sound tight, messing around with the songs Iâm playing with Sandy and Bert and even coming up with some new stuff of my own.
All the playing and practicing is starting to pay off. I really feel like Iâm playing the best guitar of my life.
âWow, Neil,â says Bert one afternoon after Iâve pounded my way through our set. âYouâre going to show us up!â
âNo way,â I say. âWe all sound awesome.â
âWell, you sound extra awesome,â he says. âDonât even try to deny it.â
Sandy pushes some magazines and food wrappers out of the way and flops onto the couch. After the first couple of practice sessions, Bert gave up trying to keep the basement clean. Sandy doesnât seem to mind, and Beast is in his element.
âThereâs something missing,â she says.
Bert and I turn to look at her.
âWhat do you mean?â I ask.
âI mean with âPass the Test,ââ she says. âItâs good, but it just sounds a bitâ¦I donât know, not quite enough or something.â
âI think I know what you mean,â says Bert. âIt needs some more oomph .â
â Oomph ?â I say. âWhat kind of oomph ? The show is in six days. Itâs a little bit late to look for another musician.â
âNot another musician,â says Sandy. She jumps up from the couch and grabs her guitar. âOkay, listen, Neil. Remember when you asked me to try practicing with you guys? Well, I have an idea, and I want you to repay the favor and give it a shot, even if you really donât want to.â
âOkay,â I say, getting suspicious.
âIâve been singing the lyrics to myself over and over,â she says. âI think it would sound better if there were two singers on the chorus. Iâll keep singing lead the way I have been, but you come in on the chorus and do harmonies.â
âBut I canât sing,â I protest.
âDonât give us that,â says Bert. âWeâve both heard you.â
Sandy starts strumming the chords on her guitar. âSo when I sing this,â she says, and she sings the first two lines of the chorus, âyou sing it this way.â She repeats the same two lines as harmony lines.
âI donât know,â I say.
âPlease, just try it,â she says. âI helped you out, remember?â
âFine,â I say. âBut if it sucks, Iâm not doing it again.â
âFair enough,â she says. âBut you have to try for real.â
I nod and reach for my guitar, but she holds out her hand to stop me. âLetâs start simple,â she says. âIâll run it through for us, nice and slow.â
She starts playing, and once she gets past the intro, we both start singing. Iâd expected it to be horrible, that Iâd screw up the tune right away. Instead, I find that Iâm able to sing a harmony line naturally, all the way through. The melody guides me, and I just do my best to sing along in a way that complements Sandyâs voice.
We come to the end and Bert immediately starts clapping. âAwesome!â he says.
âReally?â I ask them.
âSounded great,â says Sandy.
âWhat did you think, Beast?â I ask, turning toward the couch, but heâs in the process of killing a ninja and doesnât pay any attention to me.
âThe real question is, what did you think?â says Sandy.
âIt was okay,â I say. She raises an eyebrow at me. âOkay, I admit it. It sounds better. We should do it with harmonies.â
âWell, we better
S. Ravynheart, S.A. Archer
Stephen G. Michaud, Roy Hazelwood