They patch the roof, too, though in a fashion they assure me is temporary, much plywood, and plastic sheeting. The house begins to look like something a hillbilly might inhabit, Ozarkian, ungainly. I suffer a temptation to have the place torn down and a new house built by a reputable city contractor.But I cannot bear the thought of having to confront my current crew with layoff notices . . . and Mrs. Blake lurks down the lane.
On an afternoon as I watch my veranda rise Sistine-like from the rubble, I am visited by the local media, one Nelson Forbish representing the
Island Echo.
A man of impressive girth, he emerges awkwardly from his compact car, armed with notebook and camera. He is about thirty-five, his cherubic face sheltered by a felt porkpie hat, the brim turned down in front.
âMr. Bochamp, Iâve been waiting till you settled in to call. Like to do an interview.â He has a high, whining voice, a nasal dentistâs drill.
âBeecham is how itâs pronounced. The name became corrupted after my ancestors raped and pillaged Anglo-Saxon England.â
Nelson Forbish seems to have some difficulty absorbing this concept. âWould a good time be now?â
âAs you see, the house is in disarray, so shall we just sit outside here? Itâs a splendid day. Would you care for a refreshment?â
âSomething to eat, if you got.â
I bring out a bowl of fruit and some slightly burnt homemade biscuits, and lead Forbish to my dock, where I have set a table and a plastic chair. I have been fishing, offering fat worms from my newly spaded garden.
âCaught two very tasty perch the other day. Possibly that could be your headline, Mr. Forbish.â
The reporter peels a banana and lowers it down his throat as if into a food blender.
âIâve been reading your newspaper, Mr. Forbish, and I was wondering â if itâs not subject to journalistic privilege â about Mr. George Rimbold, who tried to jump through a window at the local bar dressed as a frog.â
âThat was at Halloween. Heâs a bit of a tank.â
âAh, I see.â
As he wolfs down a biscuit, he takes a photo of me, thenproduces some clippings from various Vancouver journals.
âSays here youâve won fourteen straight murders in a row.â
I hear echoes of his idiosyncrasies of composition in the
Island Echo.
Fourteen straight in a row.
âI have had my losses.â
âThis here magazine article says you left your office for a couple of years to work with bums on skid row.â
Two years dimly remembered, two years of bibulous fog when Annabelle had separated from me.
âIt was an interesting time.â
âAnd the article goes on to say youâre really colourful in court.â He is on his second banana now, and eyeing an apple. âMuch exaggerated.â
âYou used to keep a pitcher of vodka on your table when you were on a trial. The judges all thought it was water.â
I ponder his odd interview technique â he has yet to ask a question. âAn utter lie. It was a pitcher of Beefeater gin. Nor did the judges suspect it was anything else.â
âSo there was also this time when apparently you were drunk in the middle of a trial, and you began reciting the Ruby . . .â Nelson is studying an obscure word in the magazine article.
Was I also drunk when being interviewed for that piece of literary embarrassment?
In vino veritas.
No, it was later â newly admitted to the Trial Lawyersâ Chapter of Alcoholics Anonymous, I tended in those days to indulge in frenzies of truth and openness.
â
The Rubáiyát of Omar Khayyám. â
Fill the cup that clears today of past regrets and future fears.â I once sought escape in such a cup. I am an alcoholic, Nelson.â
âSo what are you doing here on this island?â
âMaking peace with God and nature. I am retired.â
âSo, for our readers, why did
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