in her own way—and largely by herself. She wanted to build something here, make a life, make a living. On her own terms.
She didn’t mind the aches and pains of hard physical labor. In fact she considered them a badge of honor, along with every blister and callus.
Damned if she wanted her steps, her movements documented by some pen-and-ink artist.
“Warrior goddess,” she muttered under her breath as she cleaned out clogged and sagging gutters. “Make her a redhead and give her collagen lips and D cups. Typical.”
She climbed down the extension ladder and, since the gutters completed her last chore of the day, stretched right out on the ground.
She hurt every damn where.
She wanted to soak herself limp in a Jacuzzi, and follow it up with an hour’s massage. And top that off with a couple glasses of wine, and possibly sex with Orlando Bloom. After that, she might just feel human.
Since the only thing on that wish list at hand was the wine, she’d settle for that. When she could move again.
With a sigh, she realized the stewing portion of the program was complete, and with her mind clear and her body exhausted, she knew the core reason for her reaction to Ford’s sketches.
A decade of therapy hadn’t been wasted.
So she groaned, pushed herself up. And went inside for the wine.
WITH SPOCK and his bear snoring majestically, Ford inked the last panel. Though the final work would be in color, his technique was to approach the inking as a near completion of the final art.
He’d already inked the panel borders, and the outlines of the background objects with his 108 Hunt. After completing the light side of his foregrounds, he stepped back, squinted, studied, approved. Once again, the Seeker, shoulders slumped, eyes downcast, face half turned away, slipped back toward the shadows that haunted his existence.
Poor sap.
Ford cleaned the nib he’d used, replaced it in its section of his worktable. He chose his brush, dipped it in India ink, then began to lay in the areas of shadow on his penciling with bold lines. Every few dips he rinsed the brush. The process took time, it took patience and a steady hand. As he envisioned large areas of black for this final, somber panel, he filled them in partially, knowing too much ink too fast would buckle his page.
When the banging on the door downstairs—and Spock’s answering barks of terror—interrupted him, he did what he always did with interruptions. He cursed at them. Once the cursing was done, he grunted a series of words—his little ritual incantation. He swirled the brush in water again and took it with him as he went down to answer.
Irritation switched to curiosity when he saw Cilla standing on his veranda holding the bottle of cab.
“We’re cool, Spock,” he said, to shut up the madly barking dog trembling at the top of the stairs.
“Don’t like red?” he asked Cilla when he opened the door.
“Don’t have a corkscrew.”
This time the dog greeted her with a couple of happy leaps, and an enthusiastic rub of his body against her legs. “Nice to see you, too.”
“He’s relieved you’re not invading forces from his home planet.”
“So am I.”
The response had Ford grinning. “Okay, come on in. I’ll dig up a corkscrew.” He took a couple steps down the foyer, stopped, turned back. “Do you want to borrow a corkscrew, or do you want me to open the bottle so you can share?”
“Why don’t you open it?”
“You’d better come on back then. I have to clean my brush first.”
“You’re working. I’ll just take the corkscrew.”
“Indian giver. The work can wait. What time is it anyway?”
She noticed he wasn’t wearing a watch, then checked her own. “About seven-thirty.”
“It can definitely wait, but the brush can’t. Soap, water, corkscrew and glasses all conveniently located in the kitchen.” He took her arm in a casual grip that was firm enough to get her where he wanted her.
“I like your house.”
“Me