their father had been getting ready to book them for eighteen more after two months in the studio. Sometimes a dream can become a nightmare. Well, they now had one week free. It was more than theyâd expected. Their father had never fallen for Galenâs charm before.
Galen pulled the car over to the side of the road. âYour turn, kid.â
âIâll get my full license in twoââ Erik began.
âTwo more months and five more days,â Jakob broke in. Two more months and five more days . Like a lot of musicians, he was mathematically inclined. Erik was nearly seventeen. Two more months and five more days. He liked the rhythm of that and a new tune snaked into his head. He liked it even better than the first one.
Meanwhile, Galen got out of the driverâs side, Erik out of the passengerâs side, and they changed seats.
âHey, hold on,â Jakob called, swinging open his door and jumping out after them. âIâve really got something.â He ran to the back of the car, then leaned around it and called, âErikâpop the trunk.â
Erik reached down by the driverâs seat and pulled up on the little handle. Once the lock clicked, Jakob lifted the trunk door, then dug around, tossing duffels and sleeping bags aside until he found his guitar. Only the one instrument. His brothers had left theirs at home. âThis is a vacation,â Erik had said. âWhy would I want to bring my work tools along?â
But Jakob was never without his guitar any more than he could be without one of his limbs. Pulling the Taylor from its case, he sat on the back bumper, strumming chords, searching for the right key.
Erik got out again and strolled around the car. âAll right,â he said. âLetâs hear it.â
Jakob didnât respond. He had found the key, and was playing what was in his head. Six-eight and major, the melody danced on the high strings while he plucked a walking baseline on the low E with his thumb.
âThatâs really good,â commented Galen. Jakob hadnât even noticed him come up. âSounds kind of old timey.â
âYeah.â Erik cocked his head to one side, thinking. âNeeds some contemporary lyrics to set that off. Something out of the news.â He listened for a minute more.
Jakob changed keys for a bridge, then drifted back into the main theme.
âIâve got it!â Erik said. âThat news story we just heard on the radio.â He began to sing to Jakobâs tune.
Twelve dairy princesses, where did they go?
Twelve dairy princesses, Iâd really like to know.
The Devil snatched them from thin air
So they couldnât make it to the fair
And nowâs heâs gone and taken them below.
Erikâs voice had just finished its change, and it sounded pretty rough. But Jakob knew Galen would probably be the one to sing this song, anyway. The lighter, funnier songs were his. He couldnât carry a really beautiful ballad but was perfect with the humorous tunes. Jakob honestly liked the words so far. They were topicalâbut had imagery, too.
And he was singing:
Whatâs better than a butter girl?
Badder than my better girl.
Best when Iâm not buttered up as well.
Whatâs better than a butter girl?
Badder than my better girl.
Best that I just take them all to Hell.
Jakob sighed. So much for liking the lyrics, he thought. But thatâs probably the part of the song everyone will sing along to. Itâll be our next big hit: âThe Badder Better Butter Girl.â Especially if the girls are found. His dad would probably do a deal with the Dairy Princesses and get them to dance on the video in their tiaras and long dresses and â¦
Galen had caught the melody now and was roaring out the butter girl chorus with Erik who had shifted to harmony, which, even with his rough voice, sounded pretty good.
And then, Jakob thought, Iâll hate it. Hate it