with Barney as a "puller" a puller being a barker working in front of the door of a store, shouting out bargains supposedly to be found within, often grabbing a passerby and forcing the potential customer into the store. We worked as a team, Barney and me, and Barney was a real
trombenik
by this time, a young roughneck; so I let him do the pulling, and I handled the sales pitch. Barney had turned into a dead-end kid after his pa was shot to death by thieves in the little hole-in-the-wall Rasofsky's Dairy. That's what turned him into a street fighter, and the need to provide for the family his pa had left behind eventually turned him into Barney Ross, the prizefighter.
Barney was smarter than a lot of fighters, but just as lousy with money as the worst of 'em. He'd been pulling in big purses for almost a year now; fortunately, his managers. Winch and Pian, were straight, and got him to make a couple of investments that weren't at the track. One of them was a jewelry store on Clark; another was a building at Van Buren and Plymouth with a downstairs corner deli next to a "blind pig"- that is, a bar that looked closed down from the street, but was really anything but (lots of things in Chicago looked like one thing outside and something else from inside). Barney planned to call the place the Barney Ross Cocktail Lounge someday, after Prohibition, and probably after he retired from the ring. His managers had a fit when he decided to keep the speak going, because Barney was a public figure in Chicago, with a wholesome image, despite a background that included being a runner for Capone and hustling crap games.
"So you quit," Barney said. He had a soft, quiet tenor voice, incongruous coming out of that flat, mildly battered puss of his, and puppy-dog brown eyes you could study for days and not see killer instinct- unless you swung at him.
"That's what I said," I said. "I quit."
"The cops, you mean."
"The opera company. Of course the cops."
He sipped the one beer he was allowing himself. We were in a corner booth. It was midevening, but slow; the night was just cold enough, the snow coming down just hard enough, to keep most sane folk inside. I only lived a few blocks from here, so was only moderately nuts. None of the other booths were taken and only a handful of stools at the bar were filled.
You went in through a door in the deli and found yourself facing the bar in a dark, smoky room three times as long as it was wide. The only tables were on the small dance floor at the far end, chairs stacked on the little open stage nearby- the nightclub aspect of the joint was on hold till Repeal. Boxing photos hung everywhere, shots of Barney and other fighters, in and out of the ring, with an emphasis on other West Side kids like King Levinsky, the heavyweight, and Jackie Fields, the welterweight Barney used to spar with; and, of course, the great lightweight Benny Leonard, who last year suffered a humiliating defeat attempting a comeback- Jimmy McLarnin put him down in six, giving him a bloody beating (the photos of Leonard on Barney's wall were from the 1917 championship victory over Freddie Welsh).
"Your pa woulda liked you quitting," he said.
"I know."
"But Janey ain't gonna."
"That I also know," I said.
Janey was Jane Dougherty; we were engaged. So far.
"You want another beer?"
"What do you think?"
"Buddy!" he said. He was talking to Buddy Gold, the retired heavyweight who ran the place for him and bartended. Then he looked at me with a wry little grin and said, "You're throwing money away, you know."
I nodded. "Being a cop in the Loop is good money in hard times."
Buddy brought the beer.
"It's good money in good times." Barney said.
"True."
"This Nitti thing."
"Yeah?"
"It happened yesterday afternoon?"
"Yeah. You saw the papers. I take it?"
"I saw the papers. I heard the city talking, too."
"No kidding. You serve lousy beer."
"No kidding. Manhattan Beer, what you expect?" Manhattan Beer was Capone's brand name;