Trunk Music by Michael Connelly Read Free Book Online Page B

this one’s going to be tough. Unless something good comes out of those prints. That’s our only real break so far.”
    “Well, tell your people that I want everybody in at eight for a roundtable on what we’ve got so far.”
    “Let’s make it nine, Lieutenant. I think by then we should have something back from Donovan on the prints.”
    “Okay, nine then. I’ll see you then, Harry. And from now on, when we’re talking like this, you know, informally, call me Grace.”
    “Sure, Grace. Have a nice night.”
    She expelled her smoke in a short burst that sounded like the start of a laugh.
    “You mean, what’s left of it.”
    On the way up to Mulholland Drive and Hidden Highlands Bosch paged Rider and she called back from one of the houses she was visiting. She said it was the last of the houses overlooking the clearing where the Rolls was parked. She told him the best she could come up with was a resident who remembered seeing the white Rolls-Royce from the back deck of his home on Saturday morning about ten. The same resident also believed the car was not there on Friday evening when he was out on the deck to watch the sunset.
    “That fits with the time frame the ME’s looking at and the plane ticket. I think we’re zeroing in on Friday night, sometime after he got in from Vegas. Probably on his way home from the airport. Nobody heard any shots?”
    “Not that I’ve found. There’s two houses where I got no answer. I was going to go back and try them now.”
    “Maybe you can catch them tomorrow. I’m heading up to Hidden Highlands. I think you should go with me.”
    They made arrangements to meet outside the entrance to the development where Aliso had lived, and Bosch closed the phone. He wanted Kiz along when he told Aliso’s next of kin he was dead because it would be good for her to learn the grim routine and because the percentages called for whoever that next of kin was to be considered a possible suspect. It was always good to have a witness with you when you first spoke to the person who later could become your quarry.
    Bosch looked at his watch. It was nearly ten. Taking care of the notification meant they probably wouldn’t be getting to the victim’s office until midnight. He called the communications center and gave the operator the address on Melrose and had her look it up in the cross directory. It came back to Archway Pictures, as Bosch had guessed. He knew they had caught a bit of a break. Archway was a midsize studio that largely rented offices and production facilities to independent filmmakers. As far as Bosch knew, it hadn’t made its own films since the 1960s. The break was that he knew someone in security over there. Chuckie Meachum was a former Robbery-Homicide bull who had retired a few years earlier and taken a job as assistant director of security at Archway. He would be useful in smoothing their way in. Bosch considered calling ahead and arranging for Chuckie Meachum to meet them at the studio but decided against it. He decided he didn’t want anyone to know he was coming until he got there.
    He got to Hidden Highlands fifteen minutes later. Rider’s car was parked on the shoulder off Mulholland. Bosch pulled up and she got in his car. Then he pulled into the entrance lane next to the gatehouse. It was a small brick structure with a single guard inside. Hidden Highlands was maybe a little richer but not that different from many of the other small, wealthy and scared enclaves nestled in the hills and valleys around Los Angeles. Walls and gates, guardhouses and private security forces were the secret ingredients of the so-called melting pot of southern California.
    A guard in a blue uniform stepped out of the gatehouse carrying a clipboard and Bosch had his badge wallet out and open. The guard was a tall, thin man with a worn, gray face. Bosch didn’t recognize him, though he had heard in the station that most of the guards working here were off-duty uniforms from Hollywood