safe.â
Mary closes her eyes because she wants Pat to go away. Shewants the whole house to go away, in fact. The street can go too if it wants. And the town and all of the people. She knows what Pat means by âsafeâ and she doesnât want it. âSafeâ means spending her life doing nothing but going to school and then, when schoolâs done, doing nothing but typing and shorthand lessons, just so she can work in an office and stay living at home. Then it means finding a nice man to marry and having his babies and doing his washing and ironing and scrubbing his steps and polishing his banisters. Mary shivers at the horror of it. âYou know,â she says, opening her eyes. âAs soon as I get my school certificate, Iâm off to London.â
Pat actually laughs. âDonât be ridiculous.â
âIâm being perfectly serious.â
âYouâre not going anywhere. When you finish school, youâll be fifteen and still a child and youâll do what Dad tells you. What on earth do you want to go to London for? Most of itâs bombed out.â
âI want to get into acting. All the top producers are in London.â
âIs that why youâve been copying silly accents from the wireless? You plan to be a movie star?â Patâs still chuckling as she scoops her cigarettes from the counter. Her fingers are yellow. Dad told her about it yesterday, said she shouldnât serve food like that because it put him off, made her go to the bathroom and scrape at her skin with a pumice stone.
âI was in the school play. The teacher said I had perfect diction.â
âYou think that counts? Donât be silly. Everythingâs just a fad with you. You like the thrill of saying ridiculous things out loud and seeing the shock on peopleâs faces.â Pat inhaled deeply and blew the smoke right at Mary. âYouâll grow out of it one day, I expect.â
Maryâs belly churns with something deep and furious. âStop it, Pat. Stop taking all my possibilities away. Why do you always make everything sound so dreary?â
âIâm going to ignore that comment, Mary Todd.â Pat brings the cigarette to her lips and takes a long pull. All the skin around her mouth wrinkles like a drawstring on a purse. âNow, how about you stop being such a drama queen and get on with polishing those shoes?â
Â
Two days later, Dad comes back from work with a length of silk â dark as thunder and shot through with emerald green. As he flutters it from the paper, itâs as if heâs smuggled an exotic bird home and set it free in the dining room.
âFor you,â he says as he settles it on Maryâs lap.
Mary strokes the material in awe. âWhere did you get it?â
âNever you mind.â
No one has silk any more. Not new at least and never so much of it. âIt mustâve cost a fortune!â
âDonât you worry about that.â
Pat comes in from the kitchen, teapot in hand. She stops, openmouthed, by Maryâs chair and stares at the material draped across her sisterâs knees. âWhateverâs that?â
âItâs for me,â Mary says. She canât believe it. She looks up at her father, amazed. âWas it more than five pounds?â
He taps his nose. âAsk me no questions and Iâll tell you no lies.â
Pat sets the teapot on the table. âWeâve still to pay this monthâs bills.â Her voice has a brittle edge to it and Mary feels an increasingly familiar stab of guilt. Dadâs apologies are becoming more extravagant. He bought her a pair of kid gloves only last week and a box of hankies the week before â hand-embroidered and all the way from China. Mary loved the surprise and exotica of them, but Pat thought them âwastefulâ, dragging Mary into the hallway to tell her that if sheâd only stop being so wilful