published. An autobiography written as a means to an end,â she says.
Iâm speechless.
She looks deep into my eyes and says, âNow ask me that same question again. Only this time, donât ask me why I want to publish my autobiography. Ask me why I want to have it ghosted,â she says.
I donât give a fuck, Georgiana, I donât want to ask you anything, I donât want to look at you, to be with you, to smell the scent of violets for another second, or to sit here in this marble fun house and look at the casket inside which you are supposed to be. I just wish to God that you really were in there and dead and gone.
âAsk it! Ask me the fucking question the way I told you to ask it, Miranda!â she says, and stamps her foot.
âDonât think you can bully me, because that definitely wonât get you what you want from me. Quite the reverse,â I say, and glare at her.
A shot rings out as Tamara fires the Glock into a cushion just inches from my back.
When Iâve stopped shaking, I square my shoulders.
âAll right, Georgiana, you win. Hereâs your fucking first question. Why do you want to have your autobiography ghosted?â I say.
âThank you, Miranda. Iâd be delighted to tell you,â she says, with a glowing smile.
All of a sudden, against my will and despite the fact that sheâs my mortal enemy, I canât wait to hear her answer.
âBecause I still love my husband and I want him back,â she says.
Chapter Five
Iâm white as a sheet, dumbstruck.
âPour the silly goose a shot of whiskey,â Georgiana orders Tamara, who rushes to get me one.
Then Georgiana turns to me.
âItâs very simple, my dear. Unless you ghost my autobiography to the very best of your considerable abilities, you will never see the light of day again.â
âIâd rather die than be your ghostwriter,â I say.
âThat can easily be arranged,â she says, and Iâm reminded how dangerous she is. Not to mention Tamara.
Then she gives me her glittering Lady Georgiana smile.
âBut letâs not go there, shall we? Far better for us to remain good friends, donât you agree?â
I gawp at her in disbelief.
âLetâs rise above all our differences and focus instead on our goals: producing an autobiography that will tell the real and heartwarming truth about me. The truth about my deprived childhood, the setbacks I faced throughout life, andâmost important of allâhow forces beyond my control conspired against me and on pain of death forced me to blackmail Robert,â she says.
I am so shocked that I am suddenly unable to silence an unwelcome voice from the past: When in doubt, say nothing.
âVery well, if thatâs the way you want it,â she says when I fail to react to her words, shrugging her elegant shoulders.
âLet me make this plain to you: I expect you to craft my autobiography in such a way that when Robert reads it, heâll understand exactly who I am, what I am, why there was no alternative for me but to do what I did; that I deeply regret my actions; and that I want to make it all up to him. Then heâll fall in love with me again, much deeper than before, and Iâll get him back,â she says.
âBut what about me? Robert loves me!â I scream.
âYou, my little lamb? You will be far too far away from him, and for far too long, for him to care about you anymore,â she says.
She plans to make me ghost her autobiography, and then when Iâm done, sheâll kill me!
âSo why not get it over with and kill me right here and now?â I say.
âBecause you havenât even begun to outlive your usefulness to me yet,â she says.
While I digest her latest threat, she jumps up and gets a silver hairbrush from the dresser.
âYou look a trifle wan, Miranda, and your hair is frightfully matted,â she says, then proceeds to
S. Ravynheart, S.A. Archer
Stephen G. Michaud, Roy Hazelwood