she had spoken or not.
When Miss Sidney was out doing her telephoning, the brother and the social worker turned to each other. They acted as if no one was there; not her in the bedroom slippers, not Mother in a heap. They were people who had met before; their eyes met, and then their hands. She would not be surprised if they had not met on a go in the park. She had a grievance against the social worker, with her trim waist and pale pretty face. She herself was still bloated from her pregnancy, but the girl did not know that. The baby was something they’d kept to themselves; a private trial, which they had faced in their own way.
Miss Sidney was back now. She turned to Muriel. Now, Muriel, she said, I don’t want you to upset yourself, and what we could do with is a blanket to cover up your poor old mum. Let her shiver, Muriel thought, noticing that she did not. Already the grievances of a lifetime were rising up in her mind. Did other people live like this? She had no idea. The social worker said that the place was like a morgue. She bent over Mother, turning her head with her slim white hand. No one’s blaming you, she said to Colin Sidney; she’s had a heart attack. Mother’s face was a strange mottled colour; its expression was one of astonishment.
In the last few moments of Mother’s life, she, Muriel, had come up the stairs from the bottom. Whilst Mother was slipping, sliding, clutching with one hand at the banister and the other at her chest, she had knitted her fingers into the back of Mother’s cardigan, she had taken her by the scruff and bounced her slam, slam, against the wall; and this was why, when Mother died, she looked so surprised.
There were now more people in the house than Muriel could ever remember; more, at any rate, than since Father’s funeral. She had been only a child then; she had wondered why Clifford Axon couldn’t be buried at the back, outside the lean-to, but her mother had said no, she wanted him off the premises. Thirty years had passed; life was going to alter. In the midst of her speculations, her stomach rumbled again quite audibly. Murder makes me famished, she thought. She took a final look at her mother, then went into the kitchen and cut herself a piece of bread. She rummaged in the cupboards and found a pot of some kind of red jam. The old cow, she thought, she was keeping this for herself. There was quite a lot left, three-quarters of the pot. She got a knife from the cutlery drawer and spread the jam carefully, very thick and right to the edges of the bread. When Colin Sidney came in she offered him a bite, but he did not seem interested. She could hear the social worker being sick again. Vehicles drew up outside, and uniformed men took Evelyn away.
Soon after these events, Muriel left home herself. She understood that she would be going away for some years, to recuperate from her time with her mother. A woman called Tidmarsh collected her. She put a plastic bag in the boot of the car, containing Muriel’s personal effects; the two smocks that Mother had made for her out of a pair of old curtains, and a few other odds and ends she found in the drawers. Muriel looked back at the house where until now she had always lived. She felt a terrible sense of incompleteness, as if something that mattered to her had been abandoned in one of the rooms. She pawed at the woman’s arm, trying to get her to turn back, but the woman shook herself free and yelled out that they would have an accident. How was Muriel to know? She had never been in a car before, only the minibus.
Mother had always threatened her that if she didn’t do as she was told, she’d be rounded up with the other ne’er-do-wells, and taken off and gassed. It had happened once, Evelyn said; and the whole world profits by example. So was this it? She felt no emotion; she did not know what gassed would be like. She looked out at the factory walls as they passed, her head lolling against the glass, shaking