one in the entire family without a speck of artistic talent. It was quite the disappointment, apparently.â
âBut you just said he had great talent,â Donata protested.
âAs a copyist and a restorer, yes, indeed,â Farmingham said. âHe can reproduce anyone elseâs work flawlessly. He just hasnât got the gift for creating anything new, alas.â He started to fade again and brought himself back into focus with increasing difficulty. âIâm afraid I lost touch with him years ago and have no idea where he lives at present. He keeps a very low profile, both to reduce his association with his family and because of his . . . er . . . sideline.â
âYou mean, because heâs a forger,â Donata stated bluntly. âGreat. So now Iâm going to have to go dig through the records at the station to find the address and phone number of a known felon. Terrific. The Chief ought to really love
that
.â
Farmingham shook his head. âYou wonât find him in any official records, Officer Santori. Heâs never been caught, as far as I know. And while he occasionally surfaces for some sort of family gathering he canât get out of, other than that he seems to vanish from society.â
âWell, thatâs just great,â Donata said with a scowl. âSo how am I supposed to find this mysterious forger?â
âCopyist,â Ricky the Kobold corrected, and then added helpfully, âI guess youâll just have to use the Ghouls.â
Aw, crap.
Chapter Six
Donata chewed on a ragged cuticle and clicked through to another page in the municipal database. Nothing. Add that to all the other information sheâd tracked down about the elusive Peter Casaventi and she had, well, nothing. Squared.
She glanced at the notes sheâd jotted down during a morning spent hunched over the computer hoping that no one would come in and ask her why she was looking up information on a well-known painterâs obscure son. Apparently Farmingham had been right both about Peter Casaventi not being known as a forger and his keeping a low profile.
Damn it.
All she could find were a few references in the society pages, all concerning his attendance at various high-profile Casaventi family events. Most of the papers referred to him as a âreclusive restorerâ and mentioned his âtragicâ lack of artistic talent. A few showed pictures of him with beautiful blonde womenâall of whom looked more or less alike, and none of whom ever showed up more than once. Not helpful.
Donata had used all the not-inconsiderable resources available to her as a police officer and hadnât even turned up so much as a home address. The man had clearly taken secretive to a new level. The address listed on his driverâs license was a condo owned by the family and apparently used as an occasional pied-Ã -terre by any of the members who might need it. The only phone number in the system was years old and long disconnected. Due to the unusual nature of her work (and the fact that, up until now, she had rarely left the basement to work on a case), she didnât have the kind of informants network that a typical cop might use.
She did have her sources, since sheâd occasionally had to follow up on information given to her by a victim. But she
really
didnât want to use them if she didnât have to. Really, really,
really
didnât want to use them. She could feel her stomach clench at the thought.
A large fist rapped briskly on her half-open door, and the Chief slid his impressive bulk into her office and settled it into the only other chair available. It wasnât as though she did a lot of interviews down here, after allâmostly the cop in charge of a case would come down, explain the case, drop off a file with a picture of the vic, and maybe a suspect or two, and skedaddle as fast as possible back upstairs where the