in front of the chair ⦠perfect. OK, everyone say âcheese.ââ We were laughing and had our arms around each other and it felt like it used to. But a week later when the photos came back I saw it.
I looked about ten years old â skinny as a rail with no hips or breasts. I looked like a little girl. Nakina looked like a woman. Sophisticated. She was wearing a sleeveless dress and had her hair pulled back in a bun.
I looked at the photo for a long time, and then I went to my room and crawled under the blankets and let the waterworks roll. I donât know if I was crying because I was ashamed of how I looked, or because I realized how Nakina saw me â how everyone saw me. No wonder she didnât want to hang out with me anymore.
After that Nakina took some different classes and didnât eat with me in the cafeteria. We started to drift apart.
chapter six
âYou look like youâre wearing fishnet stockings.â
âFuck off.â
âYou fuck off.â
Anna was in a wheelchair after her operation and her legs were a crisscross of scars.
âLetâs celebrate.â
âCelebrate what?â
âI donât know. You getting sprung from the hospital,â I said. âLetâs take the day off and hang out down at the river.â
We went down to the Kam River with a pack of smokes and a bottle of 772B. You had to fill out these forms in the liquor store and Iâd memorized the cheapest brew, 772B â Old Sailor Sherry. We knew how to have a good time.
âWhat if a train comes?â
I was pulling Annaâs wheelchair backwards over the tracks. âIt wonât,â I said.
âHow do you know?â
âTwo trains a day. One in the morning and the other about ten at night.â
âYou sure?â
âHave I ever been wrong before?â I said.
âIâm dead.â
âSeriously. They hardly use these tracks since the elevators closed.â
âChrist Molly, go easy. Do you want me to end up back in hospital?â
âSorry. Just one more track and weâre home free. Donât drop the wine.â
âYouâre shaking me out of my freakin chair and all you care about is the wine.â
âRight,â I said, âhold on to the wine.â
When we got down to the waterfront I had two brilliant ideas. The first was that Anna should put the brakes on her chair because the wharf was on an angle and if she rolled into the Kam I would be in deep shit. The second idea came when I was lying on my back looking up at Sask Wheat Pool Number 7. We had just polished off half a bottle of 772B and everything had a rosy glow.
âHey, look up there,â I said.
âWhere.â
âTop of the elevator.â
âYeah. So what?â she asked.
âThe square building on top.â
âYeah.â
âWhatâs that?â I asked.
âThatâs the electricianâs office. My uncle used to be the electrician and that was his office. He took me up one day â very cool.â
âNo shit. Howâd you get up there? The fire escape?â
âNo idiot. There was an elevator.â
âAn elevator in an elevator! Good one! You know, this place has been closed down for a few years.â
âYeah. So?â
âSo that office is empty.â
âYeah. So what.â
âSo itâs perfect,â I said.
âPerfect for what?â
âA studio,â I said.
âWhat?â
âA painting studio. Lots of windows, good light.â
âLay off the Old Sailors,â Anna said.
âPhilistine.â
âAsshole.â
âI hate your face pretty much.â
I got up and walked toward the rusted ladder that went up the side of the elevator. Worth a try. I began to climb.
Near the top some screws that secured the ladder to the concrete had come loose.
I hung on tight but my legs started vibrating with the ladder. Not good. I kept