We Are Water by Wally Lamb Read Free Book Online Page B

prom night for all the girls who, like her, hadn’t been asked. I can still hear them all, down in our rec room, laughing and playing music, yakking away. And then there was the time when she defended that mentally retarded boy who was being taunted by the bullies. They were getting their kicks by circling him and pitching pennies at him, and Ariane had elbowed her way past them, taken the boy by the hand, and led him out of the circle. The bullies had targeted her for a few days after that, but when they saw that they couldn’t get to her, they knocked it off. It had stopped being fun. . . .
    The help: it angered me, that superior tone, but I kept my mouth shut. That co-op board is like some kind of supreme body around here that everyone’s supposed to kowtow to. Before I moved into the building, Viveca had to have them approve my occupancy of her guest room, which, in my opinion, was bullshit. Whose apartment is it? Hers or theirs? The co-op board: they’re like those athletic boys in junior high that the principal picked to be hallway monitors. They’d put on their sashes and boss around the rest of us mere mortals. Move to the right! No talking during passing time! I said no talking! What are you, deaf? How’d you like to get reported? Goddamned Gestapo hall monitors. Well, it was previews of coming attractions. It’s not as if, after you leave junior high, you’re ever going to be free of bullies. They follow you through life. And okay, maybe I didn’t say anything when that stupid building manager was chewing out Hector. But my art says it. What did it say in that Village Voice review of my last show? That my pieces are political. Howls of protest against the misuse of power. Something like that. . . .
    Coffee. I need coffee. Maybe a couple of cups of caffeine will motivate me to get to the studio today. I’m not sure why I’ve been avoiding going there, or why I lied to Viveca and said I was going. Is it wedding nerves? Has my creativity begun to abandon me? I take the beans out of the freezer (fair-trade, Guatemalan, thirteen dollars a pound at Zabar’s). Grind them, hit the “brew” button. Everything’s high end here. This new coffeemaker Viveca had sent over from Saks brews espresso and cappuccino, froths up milk for latté. I should check the manual; for all I know, it’ll dust the furniture and wipe your rear end for you as well. When it arrived, I saw the price on the receipt: seven hundred dollars. Jesus! The last I checked, you could get a Mr. Coffee on sale for $19.99. . . . Comfort the disturbed, disturb the comfortable . Maybe that’s it. Maybe I’m avoiding the studio because my life’s become too goddamned comfortable.
    To stop thinking, I put on the TV, the morning news, and there’s Diane Sawyer, looking as pretty as ever. She must be in her sixties by now. Has she had work done? Have her lips always been that full, or have they been plumped with collagen? These are New York questions. Before I moved to Manhattan, I wouldn’t have given a rat’s ass one way or another. Well, she’s probably got her burdens, too. Ratings wars, celebrity stalkers. Being that famous must be so strange. . . . Last week, when I recognized Diane’s husband buying toothpaste at that Duane Reed, I couldn’t remember any of the movies he’s directed, but what I did recall was that his family had had to escape from the Nazis when he was a little boy, and that some childhood illness had left him without body hair. Passing him in the aisle, I glanced over to see if he had eyebrows, but when he caught me looking, I had to turn away. It’s not that I’m a celebrity. Far from it, thank god. But I’m known in the art world now to some extent—here in Manhattan at least. How would I like it if some collector knew more about my shitty childhood than they did about my work?
    One time on this morning show—Valentine’s Day, I think it was—Diane said that when her husband travels and she misses him,