you could plant them, too, right?”
Lalji frowned and picked up a jar of corn. The kernels nestled tightly together, hundreds of them, each one unpatented, each one a genetic infection. He closed his eyes and in his mind he saw a field: row upon row of green rustling plants, and his father, laughing, with his arms spread wide as he shouted, “Hundreds! Thousands if you pray!”
Lalji hugged the jar to his chest, and slowly, he began to smile.
The needleboat continued downstream, a bit of flotsam in the Mississippi’s current. Around it, the crowding shadow hulks of the grain barges loomed, all of them flowing south through the fertile heartland toward the gateway of New Orleans; all of them flowing steadily toward the vast wide world.
Yellow Card Man
Machetes gleam on the warehouse floor, reflecting a red conflagration of jute and tamarind and kink-springs. They’re all around now. The men with their green headbands and their slogans and their wet wet blades. Their calls echo in the warehouse and on the street. Number one son is already gone. Jade Blossom he cannot find, no matter how many times he treadles her phone number. His daughters’ faces have been split wide like blister rust durians.
More fires blaze. Black smoke roils around him. He runs through his warehouse offices, past computers with teak cases and iron treadles and past piles of ash where his clerks burned files through the night, obliterating the names of people who aided the Tri-Clipper.
He runs, choking on heat and smoke. In his own gracious office he dashes to the shutters and fumbles with their brass catches. He slams his shoulder against those blue shutters while the warehouse burns and brown-skinned men boil through the door and swing their slick red knives…
Tranh wakes, gasping.
Sharp concrete edges jam against the knuckles of his spine. A salt-slick thigh smothers his face. He shoves away the stranger’s leg. Sweat-sheened skin glimmers in the blackness, impressionistic markers for the bodies that shift and shove all around him. They fart and groan and turn, flesh on flesh, bone against bone, the living and the heat-smothered dead all together.
A man coughs. Moist lungs and spittle gust against Tranh’s face. His spine and belly stick to the naked sweating flesh of the strangers around him. Claustrophobia rises. He forces it down. Forces himself to lie still, to breathe slowly, deeply, despite the heat. To taste the swelter darkness with all the paranoia of a survivor’s mind. He is awake while others sleep. He is alive while others are long dead. He forces himself to lie still, and listen.
Bicycle bells are ringing. Down below and far away, ten thousand bodies below, a lifetime away, bicycle bells chime. He claws himself out of the mass of tangled humanity, dragging his hemp sack of possessions with him. He is late. Of all the days he could be late, this is the worst possible one. He slings the bag over a bony shoulder and feels his way down the stairs, finding his footing in the cascade of sleeping flesh. He slides his sandals between families, lovers, and crouching hungry ghosts, praying that he will not slip and break an old man’s bone. Step, feel, step, feel.
A curse rises from the mass. Bodies shift and roll. He steadies himself on a landing amongst the privileged who lie flat, then wades on. Downward ever downward, round more turnings of the stair, wading down through the carpet of his countrymen. Step. Feel. Step. Feel. Another turn. A hint of gray light glimmers far below. Fresh air kisses his face, caresses his body. The waterfall of anonymous flesh resolves into individuals, men and women sprawled across one another, pillowed on hard concrete, propped on the slant of the windowless stair. Gray light turns gold. The tinkle of bicycle bells comes louder now, clear like the ring of cibiscosis chimes.
Tranh spills out of the highrise and into a crowd of congee