confessions, no lines of bitterness meant to hurt the survivors. Just…silence.
Hamish, uneasy and sensitive to the unsettled atmosphere of Rutledge’s mind, called to him to leave, to wash his hands of this case and go back to London.
Rutledge gave up trying to hear the stillness, and walked out into the gallery again on his way to Olivia’s bedroom.
A voice down in the hall said harshly, “What the hell —who the hell are you?”
Rutledge looked down, not seeing anyone at first, then finding the tall man who stood just in the shadows of a doorway.
“Inspector Rutledge, Scotland Yard,” he said. “I’ve a key from Constable Dawlish, and I’m here on official business. Who are you?”
“Official—what’s happened?” the other man demanded sharply.
“The inquiry into the deaths of Miss Marlowe, Mr. Cheney, and Mr. FitzHugh is being reconsidered by the Yard,” Rutledge said, and started down the stairs.
The man in the doorway was handsome in a way that few men are, reminding Rutledge of Greek statues, that same mix of perfect body and face and mind that the Golden Age admired most. And yet there was something about him that was pure Irish. Was this Daniel Hargrove, the husband of Susannah FitzHugh?
Before he could test that, the man said, “I’m Cormac FitzHugh. A member of the family. No one has told me of any renewed inquiry! Neither the local police nor the family’s solicitors. What are you doing here?”
“Surveying the scenes of death,” Rutledge responded, coming to the last step and staying where he was. He’d dealt with officers of this man’s ilk, accustomed to giving orders and expecting instant, unquestioning obedience to them. He’d never liked such men.
Hamish growled, “Bloody, arrogant bastards, the lot!”
“I’m putting a stop to this right now! You’ll hand over your keys, if you please, and leave the grounds at once. There will be no reopening of any affairs to do with my family.”
“I’m afraid, Mr. FitzHugh, that you have no say in this business. It’s a police matter, at the request of the Home Office. You have no option but to cooperate.” He paused. “Unless, of course, you have something to hide in any of these three deaths?”
FitzHugh looked as if Rutledge had struck him. “I wield considerable power in the City—”
“That’s as may be,” Rutledge answered him. “It doesn’t count here, I’m afraid.”
“Yes, I’ve something to hide,” FitzHugh said shortly, changing directions so quickly that Rutledge was nearly caught off guard. “My stepbrother and my stepsister killed themselves. It isn’t something I’m happy about, but it was a choice they both made. The reasons behind their deaths were extremely personal, and since there’s no question that suicide was the cause of death, laudanum to be precise, self-administered, I see no reason on earth why their unhappiness must be dragged through the newspapers. It serves no purpose, and it will hurt my cousin, my half sister, her husband, and me. For the delectation of a public who couldn’t care less about my family but who thrive on titillation. My God, look at what they’re already doing with these knifings, raising the spectre of the Ripper as if it was something to be proud of, not buried and forgotten!”
Rutledge agreed with him there, but said nothing.
After a moment, Cormac FitzHugh sighed and then added more reasonably, “There’s no hope of deflecting you from this investigation?”
“Sorry. None.” He made no mention of the fact that the conclusions might well be the same as those the Inquest had reached. Or that so far he’d seen no evidence, heard no new information, to do more than he was already doing, asking general questions. Rutledge was more interested in where the other man’s mood was taking them.
Cormac seemed to argue something with himself and, reluctantly, to come to a decision. “All right, then, come in here; we needn’t stand in the hall like