had thought she might walk to Broadway (and beyond?) and have a peek at it: she was after all a married woman and so entitled to a little independence. Ethel had walked about; why couldnât she? She got, however, no farther than the newsstand at the corner of the hotel.
The afternoon newspapers were lying in piles in front of the stand, which was only a small wooden structure with a front that opened outward to make two wings that were festooned with magazines. Inside, a wizened man was watching as people threw down coins and snatched up newspapers. He grabbed the coins and dumped them into a shallow canvas apron. If he had to make change, a hand dove into one of the apronâs pockets and distributed pennies as if he were planting seeds.
Louisa found that she was hoping to see another âextraâ of the Police Gazette , but she didnât see its pink newsprint anywhere. She had a bad feeling that in fact she would have to ask for it, and the wizened man would produce it from somewhere under the standâs narrow counter. Is that what the boy had done that morning? Gimme a Gazette , will ya, Jimmy? With a wink? How sordid. And yet, how thrilling.
She tried to stand in the middle of the pavement to look at the various newspapers, but she immediately became an obstacle to the cityâs foot traffic. She moved closer and got in the way of the newspaper buyers. She tried to stand at one end of the piles of newspapers, and the wizened man looked at her between wary glances at the coins the customers were tossing downâa sidelong look at her, a glance at the newspapers; a look at her, a look toward the piles. After some seconds, he said, âDjou want sometâing er dontcha?â
âI wasâ¦looking for a newspaper.â
âJeez Cripes, whyntcha try a newsstand?â He was interrupted by somebody who was making off with a newspaper of great value: âHey, dat dereâs fiâ cents not târee. Hey, youâ!â
The man had got only a step away. He looked a perfectly respectable businessman to Louisa, but the newsstand operator talked to him as if he were a criminal. âDjou want me to call a cop? You tâink ya can steal da bread off my plate? Datâs two more cents, Alfonse, or itâs da Tombs fer yous!â
âIâm sorry!â
âHey, sorry donât bring my two cents back! Fork it over!â
âI thought it was a three-cent paper!â Both men were shouting now.
âWhere ya from, Cleveland? Go on!â
Two more pennies were thrown down on the counter; the wizened man shouted another insult; but Louisa missed all this. She had just seen a newspaper lifted from a pile, already falling half open in a practiced hand that was swinging it up to read as he walked. She saw âmurderâ and âhorribleâ and a sketch of a womanâs face. Was it the same crime? Would it tell her exactly what had happened to this woman? (And did she want to know exactly ?)
âIâd like this one, please.â
âSo take it. Gimme târee centsâdeyâre da little ones, not like da big pennies you got back home, right, Limey? Am I right?â He laughed, showing desperate teeth. She opened the paper and tried to read and he shouted, âGet outta the way, ladyâwhere djou tâink you are, Bucking-ham Castle?â
Blushing, she moved quickly toward the shelter of the hotel, feeling embarrassed and bruised. How Arthur would have scolded the man if heâd been there! But better he wasnât, better by far; bad enough that sheâd gone out into the street alone, and then to be scolded in public! And yet there was something about itâ¦like seeing the hotel detectiveâ¦somethingâ vibrant.
She slowed as she approached the hotelâs awning. She held the newspaper so she could read. There were the sketch and the article. âWomanâs Mutilated Corpse Found.â
Her attention was caught