âCome on,â he calls out, showing his hands. âWeâre not gonna hurt you. Come closer.â
The caravanner waits, but Huxley doesnât give him anything else. Now they are both waiting each other out. But Huxley has the water. He has the friend. And the caravanner has nothing. Nothing but dead family behind him and empty, dangerous roads in front of him.
After about a minute of staring at each other in silence, the caravanner hitches up his loose pants and starts walking forward again, slowly. When he is close enough that they can speak without shouting, he stops again. His good eye is looking at Huxley, but Huxley is looking at the bad one. The clouded one. Maybe that is rude. He doesnât care.
âAmigos?â the man asks.
âThe slavers,â Huxley says, instead. âYou know about them?â
The caravanner glances around, uncomfortable. His cloudy eye tracks with the same movements as his good eye, it just doesnât look like it works. âLos lobos,â he says, darkly.
âSlavers.â
âYes. Slavers.â
âWhere do they go?â
The caravanner looks a little confused, but shrugs, and then points east.
âYeah,â Huxley says under his breath. âNo shit.â He holds up his hands again and crosses the distance between the two men until he is standing right in front of him. For some reason, he feels like he needs to speak quietly. Heâs not sure why. âAre you going east?â
âSÃ.â The man points east again. âI go.â
âAre you going after them?â
âQué?â
âThe slavers,â Huxley says with some irritation. âAre you going after them?â
The caravanner touches the corners of his moustache, deep in thought for a moment, his eyesâdark and lightâlooking away from Huxley. He is thinking something through. Sorting through his small repertoire of English words. When he finally speaks, he combines his words with exaggerated gestures.
âYou call slavers,â he says, carefully. âThey take. Hermano. Hermana. They kill. I go. Take back.â He makes a motion like he is gathering things close to his body. Then he forms a gun with his thumb and forefinger, fires it silently a few times. âKill back.â
Huxley searches the other manâs eyes. He has a round face. Maybe even jolly once. But his drooping, cloudy eye lends him a harder aspect, and his good eye holds the same cavernousness in it that Huxley feels in his own gut. The same lack of feeling. Thereâs nothing left in this man either. Itâs all been taken from him.
Huxley looks back over his shoulder at Jay. âGive him some water.â
Jay, far from begrudging now, seems to be watching the other man with the same intensity as Huxley had. Seeing the same things. Recognizing the same emptiness. Huxley fully expects him to protest giving the man water, but instead Jay just takes the skin from his shoulder and holds it out.
The man hesitates, then takes it. He uncaps it hurriedly, like they might change their minds, and he drinks deeply.
Huxley watches the manâs Adamâs apple bob up and down as he drinks.
âLos lobos,â Jay says, quietly. âYou know what that means?â
The way he asks the question, Huxley can tell that Jay does.
Huxley shakes his head.
âIt means âthe wolves.ââ Jay crosses his arms over his chest. âThatâs what the slavers think they are. They think theyâre the top of the food chain. The most dangerous animal in the Wastelands. But theyâre wrong on that. Look at what theyâve done.â He gestures to the caravanner, then to himself and to Huxley. âLook at what theyâve made.â He laughs. âYou take everything from a man and you leave him with nothing. Not even hope. And what does he have to live for?â
The caravanner leaves some water in the water skin, hands it back.
Jay