Whoâre you?â
âIâm a nurse.â
âOh. Thought you might be a doctor.â
âYeah, me too. We ask visitors not to use the patientsâ restrooms, Mr. Biedermanâit increases the risk of infection.â
âSorry. You know what they say: You only rent coffee.â
âSo Iâve heard. Are you family?â
âIâm her agent. I own ten percent of herâjust enough to get me visitation rights and an ulcer.â
âHer agent?â Kemp looked at the chart again. â Olivia Hayden âI thought that name sounded familiar. Is this the Liv Hayden?â
âHow many are there? I made the name up myself.â
âSon of a gunâLiv Hayden, in the flesh.â He glanced at Biederman. âIs she married?â
âFrom time to time. Why?â
âJust curious.â
âForget it, kiddo, sheâs way out of your league. Besides, sheâs buried four husbands already.â
âThey all died?â
âWho said died? She just buried them. So youâre a nurse?â
âI think weâve covered that.â
âHow many patients you got? Because I want Olivia to have your full attention.â
âThis is an ICU, Mr. Biederman. At UCLA itâs usually two patients per nurse, but for high-visibility patients like your client itâs one-to-one. Iâve been assigned to Ms. Hayden, and Iâll be her night nurse until she leaves the hospital.â
âThe doctor tells me theyâll keep her in a coma.â
âThatâs what her chart says.â
âSo if sheâs in a coma, what is it you do?â
âI check her vital signs. I turn her over every two hours to keep her from getting bedsores. I empty her catheter and adjust her IV fluids. I chart her BIS readings.â
âThatâs it? Cushy job.â
âOnly I donât get ten percent.â
âBelieve me, ten percent is not what it used to be.â
Kemp sneered. âIâll take ten percent of Liv Hayden any day. The woman must be worth millions.â
âWorth millions, sure. She just doesnât make millionsânot anymore.â
âYouâre kidding.â
âThis is Hollywood, kid. By the time she was thirty she was already making top dollar, but producers get tired of paying top dollar. Thereâs always some up-and-comer whoâll do the role for half. Besides, the public wants to see new faces, younger facesâyounger bodies.â
Kemp looked down at the bed. âHers still looks good to me.â
âThe camera doesnât lieâneither does the box office. Producers and directors, thatâs another story.â
Kemp took a look at his watch.
âI get the hint,â Biederman said. âIâll be back to check on her tomorrow. You take real good care of her now, you hear? And if she needs anything at all, you call me.â He took out a business card and handed it to Kemp.
Kemp dropped the card into his pocket. âDonât worry. Sheâs in good hands.â
When Biederman left, Kemp turned back to the bed again. âSo youâre Liv Hayden,â he said. âPleased to meet you, Ms. Hayden. My name is KempâKemp McAvoy. Iâll be your night nurse while youâre with us here at UCLA, so weâll be getting to know each other quite well. By the time you leave, I suspect weâll be very good friends.â
He took her pulse and blood pressure and recorded them in her chart.
âYour agent was just here,â he said. âMr. Biedermanâa nice enough fellow, though Iâd think youâd get tired of finding his hand in your purse all the time. He says he owns ten percent of youâthough I have a hard time believing that any man owns a piece of a woman like you.â
He gave her a wink and checked her BIS reading; the digital display read 61.
âThis? Oh, this is what we call a BIS monitorâthat stands for