Write Good or Die by Scott Nicholson Read Free Book Online Page A

material.”
    And so ends the cage match, the popular vote going to the theory that black-humor writers have an inherently twisted perspective, a real-life view of the world that powers the motor for creating the dark funnies. Limitations are applied when putting pen to page, balancing the scales of humor and darkness to make the mix palatable for human consumption. If the mix is just right, the audience will laugh. Or at least some of them. Because as all humor is in the eye of the beholder, it’s inevitable that part of the population will always stare slack-jawed, horrified as you giggle maniacally at the boy who tried to dry his sinuses to death.

    Adrienne Jones— http://www.adriennejones.net
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8. Write the Novel You Want to Read
    By Robert Kroese
    http://mercuryfalls.net

    If you’re like me, when you finish reading a novel you usually think one of two things–either:
    1) Wow, that was really good. Some day I’d like to write a novel that good.
    2) Wow, that was really bad. I could write a better novel than that.
    Again, if you’re like me, #2 happens quite a bit more often than #1. I sometimes say that good writing inspires me to write and bad writing provokes me to write. Yet while the amount of lousy writing that finds its way to the shelves of bookstores can be a source of encouragement, it’s a mistake to think that if you write a novel that’s better than 90 percent of the crap out there, it will be a surefire success. The fact is, while quality is certainly an important factor in determining a book’s success, it’s far from the most important factor.
    There’s only one surefire way to write a bestseller, and that’s to be famous before you write it. Stephen King could put together a book of stories about his visits to the supermarket and it would sell ten million copies. Sarah Palin’s book is outselling the Bible because she’s pretty and she’s been on TV, not because she has anything interesting to say. Yes, Stephen King was once an unknown, too, but the point is that as an aspiring author it’s a mistake for you to compare your work to Stephen King’s and think, “My book is as good as that, so a publisher will snap it up and readers will buy millions of copies.”
    First, it probably isn’t. Second, your book is going to be missing the one element that has been critical to the success of every Stephen King book since Carrie : the name “Stephen King” on the cover.
    The good and bad news about marketing fiction is that beyond being a celebrity (or at least a known author), no one really knows what goes into making a successful novel. Look at J.K. Rowling, who is one of the bestselling authors of all time (and the twelfth-richest woman in Britain). The first of her phenomenally successful Harry Potter books was rejected by twelve publishers–and that’s after she had gotten a reputable literary agent to represent her. If any of those publishers had had the slightest inkling that the Harry Potter books would be even a tenth as successful as they turned out to be, they would have snapped it up in a second, but they had absolutely no idea.
    Imagine if you were to take the Hope Diamond to twelve of the most reputable jewelers in New York and not a single one of them would give you a dollar for it. It would make you start to think that the whole profession of jewelry appraisal is a lot of bollocks, wouldn’t it? Now imagine that someone in the know about the jewelry business informed you that most jewelers lose money on most of their sales and only manage to stay in business thanks to a handful of fluke successes. At the very least, you would think twice about trusting one of those jewelers with the success of your own gem. You’d be well advised, in fact, to eschew the guidance of professional jewelers altogether and take matters into your own hands. Replace “jewelry” with “manuscripts” and “jewelers” with “publishers” and you’ll have a pretty good sense of how the