Xombies: Apocalypse Blues

Xombies: Apocalypse Blues by Walter Greatshell Read Free Book Online Page A

Book: Xombies: Apocalypse Blues by Walter Greatshell Read Free Book Online
Authors: Walter Greatshell
Cowper was plainly troubled by it, and that was enough to disturb me. “What’s wrong?” I asked.
    “I retired here after twenty years,” he groused, nodding to himself. “That was after serving twenty in the Navy, and you’re gonna tell me that son of a bitch won’t talk to me? He’ll talk to that asshole Coombs, but he won’t talk to me? Bullshit. I served with Rickover, for Christ sake! I got more experience than both of them assholes put together. We’ll see about this . . .”
    He started leading me away, but just then the man with the flamethrower was sent outside the fence, and we were caught up in the sudden, expectant lull. “Why is he doing that?” I asked, appalled.
    A hyper young guard standing nearby said, “That’s Griggs; he’s hard-core. ‘Have Flamethrower, Will Travel.’ First time I saw it I was like, ‘Whoa!’ It’s his job to make sure nothing’s left wiggling on the doorstep that might creep in your bunk later on. Somebody’s gotta do it!”
    In spite of his heavy fuel tank, Griggs moved lightly, a black silhouette against the settling dusk, pilot flame darting back and forth. Every few seconds he would let loose a dripping gust of fire down the concrete hedgerows, as if trying to flush game. Just before he reached the last row, I saw movement. Something large, pale, more crablike than human, had been hiding in the smoldering wreck of the car. Now it rose at him from the murk.
    He was ready for it, unleashing a billowing yellow plume that met the thing and swallowed it whole. But in that gorgeous light, Griggs must have seen what we all saw, captured in midair like a camera flash: four garish monstrosities, jittery-fast in the sepia light as creatures in a bizarro silent movie, coming at him from either side. In that split second, Griggs knew he was dead. I knew the feeling, too, and perhaps because I had been wrong, I expected something to intervene, to save him, but when the nearest one—a feral harpy wearing a coat of greasy flame—caught Griggs up in her blazing rapture and bellowed into his face with a mouthful of fire, lips peeling back like bacon, black teeth gnashing, hair a crackling torch, then covered his mouth with her own as the others piled on, I could only whimper, “No, no, no . . .”
    Shocked cries and gunfire rose from the men around us, then were drowned out by the double explosion of the car and Griggs’s tank. A fireball like an immense Japanese lantern rose into the sky, radiating debris and baking heat. It enveloped the watchtower, sending men ballooning upward and dropping them like charred scarecrows. Reynolds was caught completely off guard. I saw him up there just before the fire-cloud hit, and he seemed to be looking off into the distance. Perhaps he didn’t much care that the air was suddenly sucked from his lungs, or that the chill evening had become a blast furnace. Perhaps, like Griggs, he already knew he was dead, having seen in that baleful light the hordes of Xombies emerging from the trees and scrambling across the grassy divide toward the fence.
    “Time to skedaddle,” said Cowper, dragging me away.

CHAPTER FIVE

    S omewhat reluctantly, I let Cowper lead me from the zone of frantic activity at the fence to the relative peace just beyond. The road continued, deserted, through tracts of no-man’s-land and widely spaced industrial buildings. Cries of unseen gulls echoed in the dark.
    Much as I trusted Fred, I wasn’t sure I liked leaving the realm of the living so quickly. With crisp volleys of gunfire ringing behind us, I asked, “Is it safe to be out in the open like this?”
    “Long as that fence holds,” he said, short of breath. “You can’t see it from here, but this whole compound sticks out in the bay. That gate is the only way onto the premises—that’s why they’ve held out so long. Plus it’s set way back behind a bunch of posted government property—not many people know it’s here. It ain’t even on the

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