You, Me and Other People by Fionnuala Kearney Read Free Book Online Page A

loyalty within a marriage, so why do
you
think he did it again?’
    ‘Because he could? Because he’s a bastard? I don’t know, are you trying to say that this could be my fault; something I didn’t see?’
    ‘No, no, of course not, but if you raise the point, is it valid?’
    Now, I’m furious. I resist the urge to march out through the door and never come back. But something keeps me here, rooted to the chair, and she at least has the grace to avoid my eyes. Silence.
    The fact is, she’s right. There were signs. We weren’t as physically close as usual and he seemed uncommunicative, emotionally detached for months before the night I found out. I ignored it. I can feel my neck colour, feel my part in this whole mess crawl up my face. My defences are now on red alert. Since when has it become my burden to stop my husband dropping his pants?
    ‘Apparently,’ I break the silence, ‘somewhere between fifty and seventy per cent of married men have an affair at some time, as opposed to between twenty and forty per cent for women? A lot of marriages survive and, of those that don’t, up to eighty per cent of those who divorce over an affair regret their decision.’ I am armed with my own research, compliments of a survey in a trashy magazine.
    Caroline nods sagely.
    ‘So, without going all Mars and Venus on me, why is it, Dr Gothenburg, that men are bigger fuckers, literally?’
    A hint of a smile. ‘Well, evolutionary psychology says that men are predisposed to spread their seed but, if we bring evolution into it, historically women would have feared sex more because of the possibility of pregnancy, so maybe they just didn’t indulge as willingly, who knows?’ she finishes, shaking her head.
    ‘Or maybe they’re just greedy, immature and selfish?’ I say, and we laugh together.
    My agent Josh has an office just off Soho Square. He rents first-floor space in a dilapidated old building and insists the building’s more ‘shabby’ and less ‘chic’ appearance is a must for ‘creatives’. He’s asked me in for coffee, which will accompany a good portion of the ‘Now, this is what we’re going to do about your career’ chat. I’m sitting opposite him in his favourite old leather Conran chair. I only know Terence Conran designed it because Josh tells me he did. On the low-slung coffee table in between us is the predictable array of tiny pastries. In my hand is a hot mug of Arabica roast with lashings of frothy milk. In the thirteen years I have known Josh, we have never consumed anything together other than cake and coffee.
    He starts the ‘chat’ by bringing me up to speed on the sales of ‘Missing’, which are better than I’d expected. He confirms that two Nashville publishers have options on three other songs. My eyebrows rise: this is all good news, really good news, so I reach for a Danish. Then he tells me about the fact that he’s been approached for me to write a song for a movie. I put the Danish down and listen.
    ‘It’s all hush-hush for now.’ He taps the end of his nose with his forefinger. ‘But they’re looking at three UK writers and you’re one of them.’
    I nod, feeling excited, so I pick up the cake again, allowing myself a small swirly bit. It tastes like sugary paste. I’ve been here before, supposedly shortlisted, presented newly written material, only to be told: maybe next time; not quite what we were looking for.
    ‘Think “Twilight”,’ Josh adds. He wanders around the office, searching in various different piles of paper for something. Upstairs the sound of a lunchtime soap’s theme music vibrates through the floorboards. ‘Which movie was it? You know, the one with Bella’s wedding to the Dracula guy?’
    I smile. ‘Not Dracula, Edward.’
    ‘Edward, whoever. Anyway that song, the one about him loving her for a thousand years? Or her loving him for a thousand years, whatever.’
    I nod my head.
    ‘Think that!’ He points at me, wagging his finger.