Youâll die, not for your country but for God knows what. Can our Fatherland really send our finest sons to death for nothing? What kind of Fatherland is that?â
Yura lied to me. He told me heâd been sent to Mongolia, but I knew: he was my son and heâd be in Afghanistan.
While all this was going on my younger son, Gena, was called up. I didnât worry about him â heâd grown up quite different from Yura. They quarrelled all the time. âHey, Gena, you donât read much. You never have a book in your hands, just that guitar of yours,â Yura would say. âI donât want to be like you. I want to be like everyone else,â Gena would reply.
They both left home and I moved into their bedroom. I lost interest in everything except their things, their books and their letters. Yura wrote about Mongolia but he muddled up his geography and I knew where he really was. Day after day, night after night, I brooded over the past, and cut myself into little pieces with the knowledge that I myself had sent him there. No words, no music can convey that agony to you.
Then, one day, strangers came to the door and I knew from their faces that they were bringing bad news. I stepped back intothe flat. There was one last, terrible, hope: âIs it Gena?â They wouldnât look at me but I was still prepared to give them one son to save the other. âIs it Gena?â
âNo, itâs Yuraâ, one of them said, very quietly.
I canât carry on any longer, I just canât. Iâve been dying for two years now. Iâm not ill, but Iâm dying. My whole body is dead. I didnât burn myself on Red Square and my husband didnât tear up his party card and throw the bits in their faces. I suppose weâre already dead but nobody knows. Even we donât know â¦
A Military Adviser
âIâll forget it all ⦠in time.â Thatâs what I told myself. Itâs a taboo subject in our family. My wife went grey at forty. My daughter used to have long hair but wears it short now. She used to be such a good sleeper we had to pull her pigtails to wake her up during the night bombardments in Kabul but not any more.
Now, four years later, Iâm desperate to talk. Yesterday evening, for example, some friends of ours dropped in, and I couldnât stop talking. I got out the photo album and showed a few slides. Helicopters hovering over a village, a wounded man being laid on a stretcher, with his leg next to him, still in its trainer, POWs sentenced to death gazing innocently into the camera lens â they were dead ten minutes later ⦠Allah Akbar â Allah is great!
I looked round and realised the men were having a smoke on the balcony, the women had retreated to the kitchen, and only their children were sitting listening to me. Teenagers. They were interested. I donât know whatâs the matter with me. I just want to talk. Why now, suddenly? So that Iâll never forget â¦
I canât describe how things were over there or what I felt about them at the time. Come back in another four years, perhaps Iâll be able to then. And ten years from now everything may look completely different, the picture may have shattered into a thousand tiny pieces.
I remember a kind of anger. Resentment. Why should I have to go? Why is this happening to me? Still, I coped with the pressure, I didnât break, and that was satisfying in itself. I remember getting ready to go, worrying about tiny details like what knife to take, which razor ⦠Then I was impatient to be off, to meet the unknown while I was still on a high. I was shaking and sweating. Everybody feels that way, ask anyone whoâs been through it. As the plane landed I was hit by a sense of relief and excitement at the same time: this was the real thing, weâd see and touch and live it.
I recall three Afghans, chatting about something or other, laughing. A dirty
Dorothy Calimeris, Sondi Bruner